Keyframes: Popular Cinema and Cultural StudiesMatthew Tinkcom, Amy Villarejo Routledge, 29 aug. 2003 - 416 pagini Keyframes introduces the study of popular cinema of Hollywood and beyond and responds to the transformative effect of cultural studies on film studies. The contributors rethink contemporary film culture using ideas and concerns from feminism, queer theory, 'race' studies, critiques of nationalism, colonialism and post-colonialism, the cultural economies of fandom, spectator theory, and Marxism. Combining a film studies focus on the film industry, production and technology with a cultural studies analysis of consumption and audiences, Keframes demonstrates the breadth of approaches now available for understanding popular cinema. Subjects addressed include: * Studying Ripley and the 'Alien' films * Pedagogy and Political Correctness in Martial Arts cinema * Judy Garland fandom on the net * Stardom and serial fantasies: Thomas Harris's 'Hannibal' * Tom Hanks and the globalization of stars * Queer Bollywood * Jackie Chan and the Black connection * '12 Monkeys', postmodernism and urban space. |
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Pagina vi
... voice of pornography: tracking the subject through the sonic spaces of gay male moving-image pornography RICH CANTE AND ANGELO RESTIVO Nostalgia of the new wave: structure in Wong Kar-wai's Happy Together REY CHOW Mario Lanza and the ...
... voice of pornography: tracking the subject through the sonic spaces of gay male moving-image pornography RICH CANTE AND ANGELO RESTIVO Nostalgia of the new wave: structure in Wong Kar-wai's Happy Together REY CHOW Mario Lanza and the ...
Pagina 16
... voice that demanded fair treatment under the law, but it also fostered the impulse to wonder at the long-standing ban on representation of same-sex sexuality within the industries of popular culture. In a sense, the political rejoinder ...
... voice that demanded fair treatment under the law, but it also fostered the impulse to wonder at the long-standing ban on representation of same-sex sexuality within the industries of popular culture. In a sense, the political rejoinder ...
Pagina 24
... voice in black British cultural studies), whose first book was aptly titled There Ain't No Black in the Union Jack.18 There have been a number of such important criticisms of the unquestioned status of the nation, of Britain more ...
... voice in black British cultural studies), whose first book was aptly titled There Ain't No Black in the Union Jack.18 There have been a number of such important criticisms of the unquestioned status of the nation, of Britain more ...
Pagina 39
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Pagina 42
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Alte ediții - Afișează-le pe toate
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2003 |
Termeni și expresii frecvente
12 Monkeys aesthetic Alien Alien Resurrection American argue audience Bo-wing Bob Perelman Born in East Bruce Lee Catherine Chan Chan’s Chicano Chinese cinema commodity contemporary context critical cultural studies cure desire discourse discussion East L.A. economic essay ethnic fans fantasy female feminism feminist figure film studies film’s gay male gay pornography gender global Hannibal heterosexual Hollywood homosexuality Hong Kong identity ideology industry Jackie Jackie Chan Judy Garland KWRU labor Lanza lesbian Lurene madness Mario Lanza martial arts media arts motion picture movie narrative political popular porn postmodern practices production projection projectionist psychoanalysis queer racial reading relation representation Ripley role romance Routledge Rudy scene screen Sebastian sexual social sodomy sound space spectator stardom structure talking cure television textual theater theory tion tourist transnational University Press urban viewers visual voice Walker Warrior Marks woman women York