Keyframes: Popular Cinema and Cultural StudiesMatthew Tinkcom, Amy Villarejo Routledge, 29 aug. 2003 - 416 pagini Keyframes introduces the study of popular cinema of Hollywood and beyond and responds to the transformative effect of cultural studies on film studies. The contributors rethink contemporary film culture using ideas and concerns from feminism, queer theory, 'race' studies, critiques of nationalism, colonialism and post-colonialism, the cultural economies of fandom, spectator theory, and Marxism. Combining a film studies focus on the film industry, production and technology with a cultural studies analysis of consumption and audiences, Keframes demonstrates the breadth of approaches now available for understanding popular cinema. Subjects addressed include: * Studying Ripley and the 'Alien' films * Pedagogy and Political Correctness in Martial Arts cinema * Judy Garland fandom on the net * Stardom and serial fantasies: Thomas Harris's 'Hannibal' * Tom Hanks and the globalization of stars * Queer Bollywood * Jackie Chan and the Black connection * '12 Monkeys', postmodernism and urban space. |
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Pagina xiii
... Visual and Cultural Studies and Director of the Film Studies Program at the University of Rochester. A co-editor of Camera Obscura, she is author of Marguerite Duras: Writing on the Body (University of Illinois Press, 1987) and High ...
... Visual and Cultural Studies and Director of the Film Studies Program at the University of Rochester. A co-editor of Camera Obscura, she is author of Marguerite Duras: Writing on the Body (University of Illinois Press, 1987) and High ...
Pagina 5
... however, be careful in how we think about how ideology works, for. 3 Mike Cormack, Ideology (Ann Arbor: University of Michigan Press, 1992). 4 Laura Mulvey, “Visual Pleasure and Narrative Cinema,” Screen 16 Introduction 5.
... however, be careful in how we think about how ideology works, for. 3 Mike Cormack, Ideology (Ann Arbor: University of Michigan Press, 1992). 4 Laura Mulvey, “Visual Pleasure and Narrative Cinema,” Screen 16 Introduction 5.
Pagina 9
... Visual Pleasure and Narrative Cinema,” as one of the founding texts of feminist film theory.4 One of its central contentions, that femininity in classical Hollywood cinema functions as a passive spectacle constituted through the active ...
... Visual Pleasure and Narrative Cinema,” as one of the founding texts of feminist film theory.4 One of its central contentions, that femininity in classical Hollywood cinema functions as a passive spectacle constituted through the active ...
Pagina 12
... Visual Pleasure,” at which the child misrecognizes its own image in a mirror as an ideal version—more coordinated, more “with it”—of him/herself). There are obvious dangers to such analogizing, included among them the tendency to ...
... Visual Pleasure,” at which the child misrecognizes its own image in a mirror as an ideal version—more coordinated, more “with it”—of him/herself). There are obvious dangers to such analogizing, included among them the tendency to ...
Pagina 13
... visual signifiers in order to see how meaning, in the most general sense, is made, how images grab us (in fascination and in unease) and how we might grab them. A final subset of this work turned to the work of American psychologists ...
... visual signifiers in order to see how meaning, in the most general sense, is made, how images grab us (in fascination and in unease) and how we might grab them. A final subset of this work turned to the work of American psychologists ...
Alte ediții - Afișează-le pe toate
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2003 |
Termeni și expresii frecvente
12 Monkeys aesthetic Alien Alien Resurrection American argue audience Bo-wing Bob Perelman Born in East Bruce Lee Catherine Chan Chan’s Chicano Chinese cinema commodity contemporary context critical cultural studies cure desire discourse discussion East L.A. economic essay ethnic fans fantasy female feminism feminist figure film studies film’s gay male gay pornography gender global Hannibal heterosexual Hollywood homosexuality Hong Kong identity ideology industry Jackie Jackie Chan Judy Garland KWRU labor Lanza lesbian Lurene madness Mario Lanza martial arts media arts motion picture movie narrative political popular porn postmodern practices production projection projectionist psychoanalysis queer racial reading relation representation Ripley role romance Routledge Rudy scene screen Sebastian sexual social sodomy sound space spectator stardom structure talking cure television textual theater theory tion tourist transnational University Press urban viewers visual voice Walker Warrior Marks woman women York