Keyframes: Popular Cinema and Cultural StudiesMatthew Tinkcom, Amy Villarejo Routledge, 29 aug. 2003 - 416 pagini Keyframes introduces the study of popular cinema of Hollywood and beyond and responds to the transformative effect of cultural studies on film studies. The contributors rethink contemporary film culture using ideas and concerns from feminism, queer theory, 'race' studies, critiques of nationalism, colonialism and post-colonialism, the cultural economies of fandom, spectator theory, and Marxism. Combining a film studies focus on the film industry, production and technology with a cultural studies analysis of consumption and audiences, Keframes demonstrates the breadth of approaches now available for understanding popular cinema. Subjects addressed include: * Studying Ripley and the 'Alien' films * Pedagogy and Political Correctness in Martial Arts cinema * Judy Garland fandom on the net * Stardom and serial fantasies: Thomas Harris's 'Hannibal' * Tom Hanks and the globalization of stars * Queer Bollywood * Jackie Chan and the Black connection * '12 Monkeys', postmodernism and urban space. |
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Pagina 3
... viewers in the multiple and specific places in which we as social subjects incorporate cinema into our everyday lives. What cultural studies has sought to understand from early in its own history is how apparently dominant and ...
... viewers in the multiple and specific places in which we as social subjects incorporate cinema into our everyday lives. What cultural studies has sought to understand from early in its own history is how apparently dominant and ...
Pagina 8
... viewer that he or she might in the short run benefit from such injustices. The viewer acknowledges the parts of a film that maintain an appeal while recognizing that its source—say, Hollywood—hardly cares to represent other less ...
... viewer that he or she might in the short run benefit from such injustices. The viewer acknowledges the parts of a film that maintain an appeal while recognizing that its source—say, Hollywood—hardly cares to represent other less ...
Pagina 9
... viewers. One critic's poison is another viewer's manna, and part of the intellectual thrust of the most engaged work in cultural studies has been to take seriously the meanings of such a viewer's investments as they can transform the ...
... viewers. One critic's poison is another viewer's manna, and part of the intellectual thrust of the most engaged work in cultural studies has been to take seriously the meanings of such a viewer's investments as they can transform the ...
Pagina 17
... viewers already saw Hollywood film at a distance—by virtue of national divisions (British viewers, for example, already could perceive American cinema as something importing foreign modes of representation and an American way of life at ...
... viewers already saw Hollywood film at a distance—by virtue of national divisions (British viewers, for example, already could perceive American cinema as something importing foreign modes of representation and an American way of life at ...
Pagina 19
... viewer (unlike, say, an avant-garde film which attempted to express a more private, psychological worldview of the artist) ... viewers—and he then suggests that it is perhaps no coincidence that the musical has been important to gays ...
... viewer (unlike, say, an avant-garde film which attempted to express a more private, psychological worldview of the artist) ... viewers—and he then suggests that it is perhaps no coincidence that the musical has been important to gays ...
Alte ediții - Afișează-le pe toate
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2003 |
Termeni și expresii frecvente
12 Monkeys aesthetic Alien Alien Resurrection American argue audience Bo-wing Bob Perelman Born in East Bruce Lee Catherine Chan Chan’s Chicano Chinese cinema commodity contemporary context critical cultural studies cure desire discourse discussion East L.A. economic essay ethnic fans fantasy female feminism feminist figure film studies film’s gay male gay pornography gender global Hannibal heterosexual Hollywood homosexuality Hong Kong identity ideology industry Jackie Jackie Chan Judy Garland KWRU labor Lanza lesbian Lurene madness Mario Lanza martial arts media arts motion picture movie narrative political popular porn postmodern practices production projection projectionist psychoanalysis queer racial reading relation representation Ripley role romance Routledge Rudy scene screen Sebastian sexual social sodomy sound space spectator stardom structure talking cure television textual theater theory tion tourist transnational University Press urban viewers visual voice Walker Warrior Marks woman women York