Keyframes: Popular Cinema and Cultural StudiesMatthew Tinkcom, Amy Villarejo Routledge, 29 aug. 2003 - 416 pagini Keyframes introduces the study of popular cinema of Hollywood and beyond and responds to the transformative effect of cultural studies on film studies. The contributors rethink contemporary film culture using ideas and concerns from feminism, queer theory, 'race' studies, critiques of nationalism, colonialism and post-colonialism, the cultural economies of fandom, spectator theory, and Marxism. Combining a film studies focus on the film industry, production and technology with a cultural studies analysis of consumption and audiences, Keframes demonstrates the breadth of approaches now available for understanding popular cinema. Subjects addressed include: * Studying Ripley and the 'Alien' films * Pedagogy and Political Correctness in Martial Arts cinema * Judy Garland fandom on the net * Stardom and serial fantasies: Thomas Harris's 'Hannibal' * Tom Hanks and the globalization of stars * Queer Bollywood * Jackie Chan and the Black connection * '12 Monkeys', postmodernism and urban space. |
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Pagina i
... spectator theory, and Marxism. Subjects addressed include: • studying Ripley and the Alien films • pedagogy and political correctness in martial arts cinema • Judy Garland fandom on the World Wide Web • stardom and serial fantasies ...
... spectator theory, and Marxism. Subjects addressed include: • studying Ripley and the Alien films • pedagogy and political correctness in martial arts cinema • Judy Garland fandom on the World Wide Web • stardom and serial fantasies ...
Pagina v
... spectator 72 INA RAE HARK 4 Romance and/as tourism: heritage whiteness and the (inter)national imaginary in the new woman's film 82 DIANE NEGRA 5 Race as spectacle, feminism as alibi: representing the civil rights era in the 1990s 98 ...
... spectator 72 INA RAE HARK 4 Romance and/as tourism: heritage whiteness and the (inter)national imaginary in the new woman's film 82 DIANE NEGRA 5 Race as spectacle, feminism as alibi: representing the civil rights era in the 1990s 98 ...
Pagina 2
... spectator theory, and Marxism and its debates, as these sites of inquiry themselves might be said to cross-pollinate each other and press one another to achieve greater nuance in their approaches to film as formal and social text ...
... spectator theory, and Marxism and its debates, as these sites of inquiry themselves might be said to cross-pollinate each other and press one another to achieve greater nuance in their approaches to film as formal and social text ...
Pagina 7
... spectators pleasurable visions of maternalism and work: seldom does one encounter a film that attempts to encompass both those social formations at once. Althusser's refinement of the notion of ideology, and the fact of mass ...
... spectators pleasurable visions of maternalism and work: seldom does one encounter a film that attempts to encompass both those social formations at once. Althusser's refinement of the notion of ideology, and the fact of mass ...
Pagina 8
... spectators without access to forms of education that should apparently tell them that such a film ought to be avoided. In this regard, the film offers an image of the social world that appeals to a given subject, even as he or she knows ...
... spectators without access to forms of education that should apparently tell them that such a film ought to be avoided. In this regard, the film offers an image of the social world that appeals to a given subject, even as he or she knows ...
Alte ediții - Afișează-le pe toate
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2003 |
Termeni și expresii frecvente
12 Monkeys aesthetic Alien Alien Resurrection American argue audience Bo-wing Bob Perelman Born in East Bruce Lee Catherine Chan Chan’s Chicano Chinese cinema commodity contemporary context critical cultural studies cure desire discourse discussion East L.A. economic essay ethnic fans fantasy female feminism feminist figure film studies film’s gay male gay pornography gender global Hannibal heterosexual Hollywood homosexuality Hong Kong identity ideology industry Jackie Jackie Chan Judy Garland KWRU labor Lanza lesbian Lurene madness Mario Lanza martial arts media arts motion picture movie narrative political popular porn postmodern practices production projection projectionist psychoanalysis queer racial reading relation representation Ripley role romance Routledge Rudy scene screen Sebastian sexual social sodomy sound space spectator stardom structure talking cure television textual theater theory tion tourist transnational University Press urban viewers visual voice Walker Warrior Marks woman women York