Keyframes: Popular Cinema and Cultural StudiesMatthew Tinkcom, Amy Villarejo Routledge, 29 aug. 2003 - 416 pagini Keyframes introduces the study of popular cinema of Hollywood and beyond and responds to the transformative effect of cultural studies on film studies. The contributors rethink contemporary film culture using ideas and concerns from feminism, queer theory, 'race' studies, critiques of nationalism, colonialism and post-colonialism, the cultural economies of fandom, spectator theory, and Marxism. Combining a film studies focus on the film industry, production and technology with a cultural studies analysis of consumption and audiences, Keframes demonstrates the breadth of approaches now available for understanding popular cinema. Subjects addressed include: * Studying Ripley and the 'Alien' films * Pedagogy and Political Correctness in Martial Arts cinema * Judy Garland fandom on the net * Stardom and serial fantasies: Thomas Harris's 'Hannibal' * Tom Hanks and the globalization of stars * Queer Bollywood * Jackie Chan and the Black connection * '12 Monkeys', postmodernism and urban space. |
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Pagina vii
... performance of motion picture projectionists during the early sync-sound era STEVE WURTZLER States of emergency PATRICIA R. ZIMMERMANN Index 280 299 301 303 312 333 343 359 377 395 Figures I.1 I.2 1.1 3.1 3.2 4.1 5.1 7.1 7.2 Content vii.
... performance of motion picture projectionists during the early sync-sound era STEVE WURTZLER States of emergency PATRICIA R. ZIMMERMANN Index 280 299 301 303 312 333 343 359 377 395 Figures I.1 I.2 1.1 3.1 3.2 4.1 5.1 7.1 7.2 Content vii.
Pagina xiii
... Sound Theory/Sound Practice. In addition to an essay on US radio in the forthcoming anthology Communities of the Air: Radio Century, Radio Culture, he is co-editing a special issue of LIT on film adaptation. Patricia R. Zimmermann is ...
... Sound Theory/Sound Practice. In addition to an essay on US radio in the forthcoming anthology Communities of the Air: Radio Century, Radio Culture, he is co-editing a special issue of LIT on film adaptation. Patricia R. Zimmermann is ...
Pagina 3
... sound, lighting, effects, stardom, acting, and publicity, to name a few, and the essays that follow are situated as much in the language and history of cinema as in the theoretical terrain of cultural studies' animating forces ...
... sound, lighting, effects, stardom, acting, and publicity, to name a few, and the essays that follow are situated as much in the language and history of cinema as in the theoretical terrain of cultural studies' animating forces ...
Pagina 5
... sounds that help them to make sense of the rapid transformations that they experience—but these images and sounds are not solely to be read as standing in for the world which they record. That is, they are ideological—they carry with ...
... sounds that help them to make sense of the rapid transformations that they experience—but these images and sounds are not solely to be read as standing in for the world which they record. That is, they are ideological—they carry with ...
Pagina 12
... sound, the milieu of the bourgeois family, or the structure of the tripartite gaze, classical Hollywood cinema seems constantly, to take but one element of hegemony, to enlist our consent for patriarchal power. This is not to say that ...
... sound, the milieu of the bourgeois family, or the structure of the tripartite gaze, classical Hollywood cinema seems constantly, to take but one element of hegemony, to enlist our consent for patriarchal power. This is not to say that ...
Alte ediții - Afișează-le pe toate
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2003 |
Termeni și expresii frecvente
12 Monkeys aesthetic Alien Alien Resurrection American argue audience Bo-wing Bob Perelman Born in East Bruce Lee Catherine Chan Chan’s Chicano Chinese cinema commodity contemporary context critical cultural studies cure desire discourse discussion East L.A. economic essay ethnic fans fantasy female feminism feminist figure film studies film’s gay male gay pornography gender global Hannibal heterosexual Hollywood homosexuality Hong Kong identity ideology industry Jackie Jackie Chan Judy Garland KWRU labor Lanza lesbian Lurene madness Mario Lanza martial arts media arts motion picture movie narrative political popular porn postmodern practices production projection projectionist psychoanalysis queer racial reading relation representation Ripley role romance Routledge Rudy scene screen Sebastian sexual social sodomy sound space spectator stardom structure talking cure television textual theater theory tion tourist transnational University Press urban viewers visual voice Walker Warrior Marks woman women York