Keyframes: Popular Cinema and Cultural StudiesMatthew Tinkcom, Amy Villarejo Routledge, 29 aug. 2003 - 416 pagini Keyframes introduces the study of popular cinema of Hollywood and beyond and responds to the transformative effect of cultural studies on film studies. The contributors rethink contemporary film culture using ideas and concerns from feminism, queer theory, 'race' studies, critiques of nationalism, colonialism and post-colonialism, the cultural economies of fandom, spectator theory, and Marxism. Combining a film studies focus on the film industry, production and technology with a cultural studies analysis of consumption and audiences, Keframes demonstrates the breadth of approaches now available for understanding popular cinema. Subjects addressed include: * Studying Ripley and the 'Alien' films * Pedagogy and Political Correctness in Martial Arts cinema * Judy Garland fandom on the net * Stardom and serial fantasies: Thomas Harris's 'Hannibal' * Tom Hanks and the globalization of stars * Queer Bollywood * Jackie Chan and the Black connection * '12 Monkeys', postmodernism and urban space. |
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Pagina xv
... grateful to Don and Merna Villarejo, and to James and Alberta Tinkcom, to Matthew Veltkamp, to Andrea Hammer, to Betty, to Slash and to Taag, and to each other. The degree of possible overlap between representative and representation in.
... grateful to Don and Merna Villarejo, and to James and Alberta Tinkcom, to Matthew Veltkamp, to Andrea Hammer, to Betty, to Slash and to Taag, and to each other. The degree of possible overlap between representative and representation in.
Pagina xvi
Matthew Tinkcom, Amy Villarejo. The degree of possible overlap between representative and representation in their political and artistic senses is very difficult to estimate. In the sense of the typical, which then stands for (“as” or ...
Matthew Tinkcom, Amy Villarejo. The degree of possible overlap between representative and representation in their political and artistic senses is very difficult to estimate. In the sense of the typical, which then stands for (“as” or ...
Pagina 1
... representations play in sustaining the social formations that have arisen in the expansion of the industries that produce popular culture and its ideologies. Frequently, there has been little consensus among even those practitioners of ...
... representations play in sustaining the social formations that have arisen in the expansion of the industries that produce popular culture and its ideologies. Frequently, there has been little consensus among even those practitioners of ...
Pagina 5
... representation. Marx sets out the premise that the value of a commodity is predicated on the labor and raw goods demanded in its manufacture—that its monetary value encapsulates the efforts of humans (labor) which capitalism extracts ...
... representation. Marx sets out the premise that the value of a commodity is predicated on the labor and raw goods demanded in its manufacture—that its monetary value encapsulates the efforts of humans (labor) which capitalism extracts ...
Pagina 7
... representation made by profit-driven corporations, merge with another intellectual strain that appeared on the historical stage at a highly politicized moment in Europe through the work of Antonio Gramsci (1891–1937). Introduction 7.
... representation made by profit-driven corporations, merge with another intellectual strain that appeared on the historical stage at a highly politicized moment in Europe through the work of Antonio Gramsci (1891–1937). Introduction 7.
Alte ediții - Afișează-le pe toate
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2003 |
Termeni și expresii frecvente
12 Monkeys aesthetic Alien Alien Resurrection American argue audience Bo-wing Bob Perelman Born in East Bruce Lee Catherine Chan Chan’s Chicano Chinese cinema commodity contemporary context critical cultural studies cure desire discourse discussion East L.A. economic essay ethnic fans fantasy female feminism feminist figure film studies film’s gay male gay pornography gender global Hannibal heterosexual Hollywood homosexuality Hong Kong identity ideology industry Jackie Jackie Chan Judy Garland KWRU labor Lanza lesbian Lurene madness Mario Lanza martial arts media arts motion picture movie narrative political popular porn postmodern practices production projection projectionist psychoanalysis queer racial reading relation representation Ripley role romance Routledge Rudy scene screen Sebastian sexual social sodomy sound space spectator stardom structure talking cure television textual theater theory tion tourist transnational University Press urban viewers visual voice Walker Warrior Marks woman women York