Keyframes: Popular Cinema and Cultural StudiesMatthew Tinkcom, Amy Villarejo Routledge, 29 aug. 2003 - 416 pagini Keyframes introduces the study of popular cinema of Hollywood and beyond and responds to the transformative effect of cultural studies on film studies. The contributors rethink contemporary film culture using ideas and concerns from feminism, queer theory, 'race' studies, critiques of nationalism, colonialism and post-colonialism, the cultural economies of fandom, spectator theory, and Marxism. Combining a film studies focus on the film industry, production and technology with a cultural studies analysis of consumption and audiences, Keframes demonstrates the breadth of approaches now available for understanding popular cinema. Subjects addressed include: * Studying Ripley and the 'Alien' films * Pedagogy and Political Correctness in Martial Arts cinema * Judy Garland fandom on the net * Stardom and serial fantasies: Thomas Harris's 'Hannibal' * Tom Hanks and the globalization of stars * Queer Bollywood * Jackie Chan and the Black connection * '12 Monkeys', postmodernism and urban space. |
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Pagina 2
... relation to more specific contemporary cinematic visions. More specifically, the essays demonstrate the possibilities of rethinking recent cinema in light of work in feminism, queer studies, race studies, critiques of nationalism ...
... relation to more specific contemporary cinematic visions. More specifically, the essays demonstrate the possibilities of rethinking recent cinema in light of work in feminism, queer studies, race studies, critiques of nationalism ...
Pagina 6
... relation to one of the most important intellectual debates in the Western academy in the 1960s and 1970s, a debate that emerges from French intellectual life and moves out to other settings. In brief, this argument about ideology takes ...
... relation to one of the most important intellectual debates in the Western academy in the 1960s and 1970s, a debate that emerges from French intellectual life and moves out to other settings. In brief, this argument about ideology takes ...
Pagina 7
... relation to feminism and psychoanalysis, much of the writing in Screen during this period embraced not only Althusser's notion of the subject but the refinements of the French psychoanalytic theory which suggested that the experience of ...
... relation to feminism and psychoanalysis, much of the writing in Screen during this period embraced not only Althusser's notion of the subject but the refinements of the French psychoanalytic theory which suggested that the experience of ...
Pagina 8
... relation between the state and capital heralded by the fascism of 1930s Europe. Gramsci refused, in his own historical setting, to regard the historical subjects around him as duped or deceived by what they witnessed in the various ...
... relation between the state and capital heralded by the fascism of 1930s Europe. Gramsci refused, in his own historical setting, to regard the historical subjects around him as duped or deceived by what they witnessed in the various ...
Pagina 10
... relation to cinema and feminism. We borrow the structure from E. Ann Kaplan's fine introduction to her collection, Psychoanalysis and Cinema.6 First, psychoanalysis exists as a body of writings, a discourse initiated by Sigmund Freud ...
... relation to cinema and feminism. We borrow the structure from E. Ann Kaplan's fine introduction to her collection, Psychoanalysis and Cinema.6 First, psychoanalysis exists as a body of writings, a discourse initiated by Sigmund Freud ...
Alte ediții - Afișează-le pe toate
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2003 |
Termeni și expresii frecvente
12 Monkeys aesthetic Alien Alien Resurrection American argue audience Bo-wing Bob Perelman Born in East Bruce Lee Catherine Chan Chan’s Chicano Chinese cinema commodity contemporary context critical cultural studies cure desire discourse discussion East L.A. economic essay ethnic fans fantasy female feminism feminist figure film studies film’s gay male gay pornography gender global Hannibal heterosexual Hollywood homosexuality Hong Kong identity ideology industry Jackie Jackie Chan Judy Garland KWRU labor Lanza lesbian Lurene madness Mario Lanza martial arts media arts motion picture movie narrative political popular porn postmodern practices production projection projectionist psychoanalysis queer racial reading relation representation Ripley role romance Routledge Rudy scene screen Sebastian sexual social sodomy sound space spectator stardom structure talking cure television textual theater theory tion tourist transnational University Press urban viewers visual voice Walker Warrior Marks woman women York