Keyframes: Popular Cinema and Cultural StudiesMatthew Tinkcom, Amy Villarejo Routledge, 29 aug. 2003 - 416 pagini Keyframes introduces the study of popular cinema of Hollywood and beyond and responds to the transformative effect of cultural studies on film studies. The contributors rethink contemporary film culture using ideas and concerns from feminism, queer theory, 'race' studies, critiques of nationalism, colonialism and post-colonialism, the cultural economies of fandom, spectator theory, and Marxism. Combining a film studies focus on the film industry, production and technology with a cultural studies analysis of consumption and audiences, Keframes demonstrates the breadth of approaches now available for understanding popular cinema. Subjects addressed include: * Studying Ripley and the 'Alien' films * Pedagogy and Political Correctness in Martial Arts cinema * Judy Garland fandom on the net * Stardom and serial fantasies: Thomas Harris's 'Hannibal' * Tom Hanks and the globalization of stars * Queer Bollywood * Jackie Chan and the Black connection * '12 Monkeys', postmodernism and urban space. |
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Pagina x
... Reading (Indiana University Press, 1998). She is currently completing a new work, The Protestant Ethnic and the Spirit of Capitalism. Pamela Church Gibson is a Senior Lecturer in Cultural Studies at the London College of Fashion who has ...
... Reading (Indiana University Press, 1998). She is currently completing a new work, The Protestant Ethnic and the Spirit of Capitalism. Pamela Church Gibson is a Senior Lecturer in Cultural Studies at the London College of Fashion who has ...
Pagina xi
... Reader on Film and Television Melodrama (Wayne State University Press, 1991); British Genres: Cinema and Society 1930–1960 (Princeton University Press, 1991); Film, Politics and Gramsci (University of Minnesota Press, 1994); Cinematic ...
... Reader on Film and Television Melodrama (Wayne State University Press, 1991); British Genres: Cinema and Society 1930–1960 (Princeton University Press, 1991); Film, Politics and Gramsci (University of Minnesota Press, 1994); Cinematic ...
Pagina xii
... Reading, Postmodernism (Verso, 1988); Australian Cultural Studies: A Reader, co-edited with John Frow (Allen & Unwin, 1993); and Too Soon, Too Late: History in Popular Culture (Indiana University Press, 1998). Diane Negra is Assistant ...
... Reading, Postmodernism (Verso, 1988); Australian Cultural Studies: A Reader, co-edited with John Frow (Allen & Unwin, 1993); and Too Soon, Too Late: History in Popular Culture (Indiana University Press, 1998). Diane Negra is Assistant ...
Pagina xv
... readings. The University of Texas Press and Duke University Press generously granted us permissions to reprint articles from Cinema Journal and Camera Obscura, respectively. Numerous friends talked us through the project: Steven Cohan ...
... readings. The University of Texas Press and Duke University Press generously granted us permissions to reprint articles from Cinema Journal and Camera Obscura, respectively. Numerous friends talked us through the project: Steven Cohan ...
Pagina 2
... reader might be: why film and cultural studies as the nexus upon which this book insists? The easy answer to this question could take the form of moving the reader to the very opening of this introduction, where the institutional ...
... reader might be: why film and cultural studies as the nexus upon which this book insists? The easy answer to this question could take the form of moving the reader to the very opening of this introduction, where the institutional ...
Alte ediții - Afișează-le pe toate
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2003 |
Termeni și expresii frecvente
12 Monkeys aesthetic Alien Alien Resurrection American argue audience Bo-wing Bob Perelman Born in East Bruce Lee Catherine Chan Chan’s Chicano Chinese cinema commodity contemporary context critical cultural studies cure desire discourse discussion East L.A. economic essay ethnic fans fantasy female feminism feminist figure film studies film’s gay male gay pornography gender global Hannibal heterosexual Hollywood homosexuality Hong Kong identity ideology industry Jackie Jackie Chan Judy Garland KWRU labor Lanza lesbian Lurene madness Mario Lanza martial arts media arts motion picture movie narrative political popular porn postmodern practices production projection projectionist psychoanalysis queer racial reading relation representation Ripley role romance Routledge Rudy scene screen Sebastian sexual social sodomy sound space spectator stardom structure talking cure television textual theater theory tion tourist transnational University Press urban viewers visual voice Walker Warrior Marks woman women York