Keyframes: Popular Cinema and Cultural StudiesMatthew Tinkcom, Amy Villarejo Routledge, 29 aug. 2003 - 416 pagini Keyframes introduces the study of popular cinema of Hollywood and beyond and responds to the transformative effect of cultural studies on film studies. The contributors rethink contemporary film culture using ideas and concerns from feminism, queer theory, 'race' studies, critiques of nationalism, colonialism and post-colonialism, the cultural economies of fandom, spectator theory, and Marxism. Combining a film studies focus on the film industry, production and technology with a cultural studies analysis of consumption and audiences, Keframes demonstrates the breadth of approaches now available for understanding popular cinema. Subjects addressed include: * Studying Ripley and the 'Alien' films * Pedagogy and Political Correctness in Martial Arts cinema * Judy Garland fandom on the net * Stardom and serial fantasies: Thomas Harris's 'Hannibal' * Tom Hanks and the globalization of stars * Queer Bollywood * Jackie Chan and the Black connection * '12 Monkeys', postmodernism and urban space. |
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Pagina 17
... racial difference. Compounding the matter was that homosexual men and women have served very different functions within the regimes of sex/gender representation, gay men more often seen as weak-willed (coded as effeminacy) or ...
... racial difference. Compounding the matter was that homosexual men and women have served very different functions within the regimes of sex/gender representation, gay men more often seen as weak-willed (coded as effeminacy) or ...
Pagina 23
... racial hierarchies (what American film scholar Jane Gaines has called its “color-blindness”)16 even as it sought to explore the dynamics of mastery involved in the cinema's “gaze.” Our reading of queer lineages, too, tends to emphasize ...
... racial hierarchies (what American film scholar Jane Gaines has called its “color-blindness”)16 even as it sought to explore the dynamics of mastery involved in the cinema's “gaze.” Our reading of queer lineages, too, tends to emphasize ...
Pagina 26
... racial categories and which therefore has no guarantees in nature. What this brings into play is the recognition of the immense diversity and differentiation of the historical and cultural experience of black subjects.22 In this passage ...
... racial categories and which therefore has no guarantees in nature. What this brings into play is the recognition of the immense diversity and differentiation of the historical and cultural experience of black subjects.22 In this passage ...
Pagina 27
... racial (and, for that matter, ethnic or sexual) categories: black culture, both black British and African-American, glimmers in its facets as a complex history, seductive both in its surface's sheen as well as in the substance of its ...
... racial (and, for that matter, ethnic or sexual) categories: black culture, both black British and African-American, glimmers in its facets as a complex history, seductive both in its surface's sheen as well as in the substance of its ...
Pagina 28
... racial, diasporic, or postcolonial politics. Instead of fists in the air as the sign of revolutionary fervor, we see an eyebrow raised over a glass of champagne, as one black man cruises another. Instead of a Soviet-inspired montage of ...
... racial, diasporic, or postcolonial politics. Instead of fists in the air as the sign of revolutionary fervor, we see an eyebrow raised over a glass of champagne, as one black man cruises another. Instead of a Soviet-inspired montage of ...
Alte ediții - Afișează-le pe toate
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2003 |
Termeni și expresii frecvente
12 Monkeys aesthetic Alien Alien Resurrection American argue audience Bo-wing Bob Perelman Born in East Bruce Lee Catherine Chan Chan’s Chicano Chinese cinema commodity contemporary context critical cultural studies cure desire discourse discussion East L.A. economic essay ethnic fans fantasy female feminism feminist figure film studies film’s gay male gay pornography gender global Hannibal heterosexual Hollywood homosexuality Hong Kong identity ideology industry Jackie Jackie Chan Judy Garland KWRU labor Lanza lesbian Lurene madness Mario Lanza martial arts media arts motion picture movie narrative political popular porn postmodern practices production projection projectionist psychoanalysis queer racial reading relation representation Ripley role romance Routledge Rudy scene screen Sebastian sexual social sodomy sound space spectator stardom structure talking cure television textual theater theory tion tourist transnational University Press urban viewers visual voice Walker Warrior Marks woman women York