Keyframes: Popular Cinema and Cultural StudiesMatthew Tinkcom, Amy Villarejo Routledge, 29 aug. 2003 - 416 pagini Keyframes introduces the study of popular cinema of Hollywood and beyond and responds to the transformative effect of cultural studies on film studies. The contributors rethink contemporary film culture using ideas and concerns from feminism, queer theory, 'race' studies, critiques of nationalism, colonialism and post-colonialism, the cultural economies of fandom, spectator theory, and Marxism. Combining a film studies focus on the film industry, production and technology with a cultural studies analysis of consumption and audiences, Keframes demonstrates the breadth of approaches now available for understanding popular cinema. Subjects addressed include: * Studying Ripley and the 'Alien' films * Pedagogy and Political Correctness in Martial Arts cinema * Judy Garland fandom on the net * Stardom and serial fantasies: Thomas Harris's 'Hannibal' * Tom Hanks and the globalization of stars * Queer Bollywood * Jackie Chan and the Black connection * '12 Monkeys', postmodernism and urban space. |
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... Movies in the Fifties (Indiana University Press, 1997) and co-editor with Ina Rae Hark of Screening the Male: Exploring Masculinities in Hollywood Cinema (Routledge, 1993) and The Road Movie Book (Routledge, 1997). His most recent ...
... Movies in the Fifties (Indiana University Press, 1997) and co-editor with Ina Rae Hark of Screening the Male: Exploring Masculinities in Hollywood Cinema (Routledge, 1993) and The Road Movie Book (Routledge, 1997). His most recent ...
Pagina xi
... Movie Book (Routledge, 1997), and the author of numerous articles and book chapters on gender politics in film and television. Caren Kaplan is Associate Professor and Chair of the Department of Women's Studies at the University of ...
... Movie Book (Routledge, 1997), and the author of numerous articles and book chapters on gender politics in film and television. Caren Kaplan is Associate Professor and Chair of the Department of Women's Studies at the University of ...
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... movies. Ultimately, Mulvey calls upon us (intellectuals, filmmakers) to convert passive pleasure into both critical acumen and a counter-cinema. Despite the ways in which her argument and many subsequent to it may appear to reinforce a ...
... movies. Ultimately, Mulvey calls upon us (intellectuals, filmmakers) to convert passive pleasure into both critical acumen and a counter-cinema. Despite the ways in which her argument and many subsequent to it may appear to reinforce a ...
Pagina 17
... were capable of romantic friendships and sentimental alliances that need not necessarily carry with. Figure I.1 Meeting of Two Queens. Courtesy of Women Make Movies Figure I.2 John Wilson, Matthew Baidoo, and Ben Ellison in. Introduction ...
... were capable of romantic friendships and sentimental alliances that need not necessarily carry with. Figure I.1 Meeting of Two Queens. Courtesy of Women Make Movies Figure I.2 John Wilson, Matthew Baidoo, and Ben Ellison in. Introduction ...
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Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2003 |
Termeni și expresii frecvente
12 Monkeys aesthetic Alien Alien Resurrection American argue audience Bo-wing Bob Perelman Born in East Bruce Lee Catherine Chan Chan’s Chicano Chinese cinema commodity contemporary context critical cultural studies cure desire discourse discussion East L.A. economic essay ethnic fans fantasy female feminism feminist figure film studies film’s gay male gay pornography gender global Hannibal heterosexual Hollywood homosexuality Hong Kong identity ideology industry Jackie Jackie Chan Judy Garland KWRU labor Lanza lesbian Lurene madness Mario Lanza martial arts media arts motion picture movie narrative political popular porn postmodern practices production projection projectionist psychoanalysis queer racial reading relation representation Ripley role romance Routledge Rudy scene screen Sebastian sexual social sodomy sound space spectator stardom structure talking cure television textual theater theory tion tourist transnational University Press urban viewers visual voice Walker Warrior Marks woman women York