Keyframes: Popular Cinema and Cultural StudiesMatthew Tinkcom, Amy Villarejo Routledge, 29 aug. 2003 - 416 pagini Keyframes introduces the study of popular cinema of Hollywood and beyond and responds to the transformative effect of cultural studies on film studies. The contributors rethink contemporary film culture using ideas and concerns from feminism, queer theory, 'race' studies, critiques of nationalism, colonialism and post-colonialism, the cultural economies of fandom, spectator theory, and Marxism. Combining a film studies focus on the film industry, production and technology with a cultural studies analysis of consumption and audiences, Keframes demonstrates the breadth of approaches now available for understanding popular cinema. Subjects addressed include: * Studying Ripley and the 'Alien' films * Pedagogy and Political Correctness in Martial Arts cinema * Judy Garland fandom on the net * Stardom and serial fantasies: Thomas Harris's 'Hannibal' * Tom Hanks and the globalization of stars * Queer Bollywood * Jackie Chan and the Black connection * '12 Monkeys', postmodernism and urban space. |
Din interiorul cărții
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Pagina 3
... labor-intensity and expense of the production of cinema, the circulation of cinema into mutating and often unexpected spheres and contexts of exhibition, and the variety of subject-responses to the meanings of film. Further, such ...
... labor-intensity and expense of the production of cinema, the circulation of cinema into mutating and often unexpected spheres and contexts of exhibition, and the variety of subject-responses to the meanings of film. Further, such ...
Pagina 4
... labor on behalf of profit, discovered vitalizing energies in the work of such expatriate critics from Germany as Theodor Adorno, Max Horkheimer, Bertolt Brecht, and Herbert Marcuse (exiles from the “Frankfurt School” founded in Germany ...
... labor on behalf of profit, discovered vitalizing energies in the work of such expatriate critics from Germany as Theodor Adorno, Max Horkheimer, Bertolt Brecht, and Herbert Marcuse (exiles from the “Frankfurt School” founded in Germany ...
Pagina 5
... labor and raw goods demanded in its manufacture—that its monetary value encapsulates the efforts of humans (labor) which capitalism extracts from masses of men and women. Thus, the commodity represents their labor (for which they are ...
... labor and raw goods demanded in its manufacture—that its monetary value encapsulates the efforts of humans (labor) which capitalism extracts from masses of men and women. Thus, the commodity represents their labor (for which they are ...
Pagina 7
... labor of women is crosshatched by ideologies of maternalism about how women are said to function primarily in the sphere of reproduction, as physical and emotional support for the production of new subjects (children), and there are yet ...
... labor of women is crosshatched by ideologies of maternalism about how women are said to function primarily in the sphere of reproduction, as physical and emotional support for the production of new subjects (children), and there are yet ...
Pagina 8
... labor unfairly on behalf of capitalist profit, but rather give their consent to such social arrangements because of other more limited political and material benefits made available, and it is the work of popular representations to ...
... labor unfairly on behalf of capitalist profit, but rather give their consent to such social arrangements because of other more limited political and material benefits made available, and it is the work of popular representations to ...
Alte ediții - Afișează-le pe toate
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2003 |
Termeni și expresii frecvente
12 Monkeys aesthetic Alien Alien Resurrection American argue audience Bo-wing Bob Perelman Born in East Bruce Lee Catherine Chan Chan’s Chicano Chinese cinema commodity contemporary context critical cultural studies cure desire discourse discussion East L.A. economic essay ethnic fans fantasy female feminism feminist figure film studies film’s gay male gay pornography gender global Hannibal heterosexual Hollywood homosexuality Hong Kong identity ideology industry Jackie Jackie Chan Judy Garland KWRU labor Lanza lesbian Lurene madness Mario Lanza martial arts media arts motion picture movie narrative political popular porn postmodern practices production projection projectionist psychoanalysis queer racial reading relation representation Ripley role romance Routledge Rudy scene screen Sebastian sexual social sodomy sound space spectator stardom structure talking cure television textual theater theory tion tourist transnational University Press urban viewers visual voice Walker Warrior Marks woman women York