Keyframes: Popular Cinema and Cultural StudiesMatthew Tinkcom, Amy Villarejo Routledge, 29 aug. 2003 - 416 pagini Keyframes introduces the study of popular cinema of Hollywood and beyond and responds to the transformative effect of cultural studies on film studies. The contributors rethink contemporary film culture using ideas and concerns from feminism, queer theory, 'race' studies, critiques of nationalism, colonialism and post-colonialism, the cultural economies of fandom, spectator theory, and Marxism. Combining a film studies focus on the film industry, production and technology with a cultural studies analysis of consumption and audiences, Keframes demonstrates the breadth of approaches now available for understanding popular cinema. Subjects addressed include: * Studying Ripley and the 'Alien' films * Pedagogy and Political Correctness in Martial Arts cinema * Judy Garland fandom on the net * Stardom and serial fantasies: Thomas Harris's 'Hannibal' * Tom Hanks and the globalization of stars * Queer Bollywood * Jackie Chan and the Black connection * '12 Monkeys', postmodernism and urban space. |
Din interiorul cărții
Rezultatele 1 - 5 din 67
Pagina xiv
... for Every Citizen: Mr. Smith and the Rhetoric of Reception,” Cinema Journal 35 (2) (Winter 1996): 3–23. © 1996 University of Texas Press. All rights reserved. Preface Perhaps one of the most pernicious ideologies at work.
... for Every Citizen: Mr. Smith and the Rhetoric of Reception,” Cinema Journal 35 (2) (Winter 1996): 3–23. © 1996 University of Texas Press. All rights reserved. Preface Perhaps one of the most pernicious ideologies at work.
Pagina xv
Matthew Tinkcom, Amy Villarejo. Preface. Perhaps one of the most pernicious ideologies at work in the world today is that intellectual work is a singular and isolated enterprise, and there is no small irony to the idea that the fantasy of ...
Matthew Tinkcom, Amy Villarejo. Preface. Perhaps one of the most pernicious ideologies at work in the world today is that intellectual work is a singular and isolated enterprise, and there is no small irony to the idea that the fantasy of ...
Pagina 1
... ideologies. Frequently, there has been little consensus among even those practitioners of cultural studies about how best to go about the intellectual work of responding to these questions, moving from the concern of what constitutes a ...
... ideologies. Frequently, there has been little consensus among even those practitioners of cultural studies about how best to go about the intellectual work of responding to these questions, moving from the concern of what constitutes a ...
Pagina 3
... ideological and social formation of the past ten to fifteen years. In short, this volume is intended to offer critical work that is underpinned by close, elegant treatment of cinema as a technological medium. Yet, these formal and ...
... ideological and social formation of the past ten to fifteen years. In short, this volume is intended to offer critical work that is underpinned by close, elegant treatment of cinema as a technological medium. Yet, these formal and ...
Pagina 4
... , “The Culture Industry: Enlightenment as Mass Deception,” in Simon During, ed., The Cultural Studies Reader (London: Routledge, 1993), 29–43. 3 Mike Cormack, Ideology (Ann Arbor: University of Michigan Press, 4 Introduction.
... , “The Culture Industry: Enlightenment as Mass Deception,” in Simon During, ed., The Cultural Studies Reader (London: Routledge, 1993), 29–43. 3 Mike Cormack, Ideology (Ann Arbor: University of Michigan Press, 4 Introduction.
Alte ediții - Afișează-le pe toate
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2003 |
Termeni și expresii frecvente
12 Monkeys aesthetic Alien Alien Resurrection American argue audience Bo-wing Bob Perelman Born in East Bruce Lee Catherine Chan Chan’s Chicano Chinese cinema commodity contemporary context critical cultural studies cure desire discourse discussion East L.A. economic essay ethnic fans fantasy female feminism feminist figure film studies film’s gay male gay pornography gender global Hannibal heterosexual Hollywood homosexuality Hong Kong identity ideology industry Jackie Jackie Chan Judy Garland KWRU labor Lanza lesbian Lurene madness Mario Lanza martial arts media arts motion picture movie narrative political popular porn postmodern practices production projection projectionist psychoanalysis queer racial reading relation representation Ripley role romance Routledge Rudy scene screen Sebastian sexual social sodomy sound space spectator stardom structure talking cure television textual theater theory tion tourist transnational University Press urban viewers visual voice Walker Warrior Marks woman women York