Keyframes: Popular Cinema and Cultural StudiesMatthew Tinkcom, Amy Villarejo Routledge, 29 aug. 2003 - 416 pagini Keyframes introduces the study of popular cinema of Hollywood and beyond and responds to the transformative effect of cultural studies on film studies. The contributors rethink contemporary film culture using ideas and concerns from feminism, queer theory, 'race' studies, critiques of nationalism, colonialism and post-colonialism, the cultural economies of fandom, spectator theory, and Marxism. Combining a film studies focus on the film industry, production and technology with a cultural studies analysis of consumption and audiences, Keframes demonstrates the breadth of approaches now available for understanding popular cinema. Subjects addressed include: * Studying Ripley and the 'Alien' films * Pedagogy and Political Correctness in Martial Arts cinema * Judy Garland fandom on the net * Stardom and serial fantasies: Thomas Harris's 'Hannibal' * Tom Hanks and the globalization of stars * Queer Bollywood * Jackie Chan and the Black connection * '12 Monkeys', postmodernism and urban space. |
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Pagina 2
... identities and practices. With this in mind, this collection is offered not as a rejection of more traditional forms of film studies, but as one that builds upon the work of previous critical and theoretical projects. These essays are ...
... identities and practices. With this in mind, this collection is offered not as a rejection of more traditional forms of film studies, but as one that builds upon the work of previous critical and theoretical projects. These essays are ...
Pagina 16
... identity for themselves not crafted out of the language of perversion or of the threat of homosexuality to the institutions (the state, the family) that it was purported to undermine.13 The history of these movements is too long and ...
... identity for themselves not crafted out of the language of perversion or of the threat of homosexuality to the institutions (the state, the family) that it was purported to undermine.13 The history of these movements is too long and ...
Pagina 20
... identity (and sex/gender difference is but one such example) reflect the social forces at work upon subjects and their responses to those (not always benevolent) forms of power; in that regard, all the names we choose for ourselves ...
... identity (and sex/gender difference is but one such example) reflect the social forces at work upon subjects and their responses to those (not always benevolent) forms of power; in that regard, all the names we choose for ourselves ...
Pagina 22
... identity-formation. And whether shame is privileged above other affects for queers, identity-formation must be central to understanding how we come to inhabit the contours of what we understand as queer bodies, how we live queer ...
... identity-formation. And whether shame is privileged above other affects for queers, identity-formation must be central to understanding how we come to inhabit the contours of what we understand as queer bodies, how we live queer ...
Pagina 24
... identity-based politics in the field of cultural studies. Like Julien, Mercer has made the study of visual culture indispensable to the analysis of “culture.” Both Julien and Mercer are deeply indebted to the work of Stuart Hall, who ...
... identity-based politics in the field of cultural studies. Like Julien, Mercer has made the study of visual culture indispensable to the analysis of “culture.” Both Julien and Mercer are deeply indebted to the work of Stuart Hall, who ...
Alte ediții - Afișează-le pe toate
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2003 |
Termeni și expresii frecvente
12 Monkeys aesthetic Alien Alien Resurrection American argue audience Bo-wing Bob Perelman Born in East Bruce Lee Catherine Chan Chan’s Chicano Chinese cinema commodity contemporary context critical cultural studies cure desire discourse discussion East L.A. economic essay ethnic fans fantasy female feminism feminist figure film studies film’s gay male gay pornography gender global Hannibal heterosexual Hollywood homosexuality Hong Kong identity ideology industry Jackie Jackie Chan Judy Garland KWRU labor Lanza lesbian Lurene madness Mario Lanza martial arts media arts motion picture movie narrative political popular porn postmodern practices production projection projectionist psychoanalysis queer racial reading relation representation Ripley role romance Routledge Rudy scene screen Sebastian sexual social sodomy sound space spectator stardom structure talking cure television textual theater theory tion tourist transnational University Press urban viewers visual voice Walker Warrior Marks woman women York