Keyframes: Popular Cinema and Cultural StudiesMatthew Tinkcom, Amy Villarejo Routledge, 29 aug. 2003 - 416 pagini Keyframes introduces the study of popular cinema of Hollywood and beyond and responds to the transformative effect of cultural studies on film studies. The contributors rethink contemporary film culture using ideas and concerns from feminism, queer theory, 'race' studies, critiques of nationalism, colonialism and post-colonialism, the cultural economies of fandom, spectator theory, and Marxism. Combining a film studies focus on the film industry, production and technology with a cultural studies analysis of consumption and audiences, Keframes demonstrates the breadth of approaches now available for understanding popular cinema. Subjects addressed include: * Studying Ripley and the 'Alien' films * Pedagogy and Political Correctness in Martial Arts cinema * Judy Garland fandom on the net * Stardom and serial fantasies: Thomas Harris's 'Hannibal' * Tom Hanks and the globalization of stars * Queer Bollywood * Jackie Chan and the Black connection * '12 Monkeys', postmodernism and urban space. |
Din interiorul cărții
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Pagina xi
... Film Studies with a secondary appointment in the French and Italian Department at the University of Pittsburgh. Her book publications include Fascism in Film: The Italian Commercial Cinema, 1930–1943 (Princeton University Press, 1986); ...
... Film Studies with a secondary appointment in the French and Italian Department at the University of Pittsburgh. Her book publications include Fascism in Film: The Italian Commercial Cinema, 1930–1943 (Princeton University Press, 1986); ...
Pagina xii
... film critic who has lectured and written widely on action cinema, her books include The Pirate's Fiancée: Feminism, Reading, Postmodernism (Verso, 1988); Australian Cultural Studies: A Reader, co-edited with John Frow (Allen & Unwin ...
... film critic who has lectured and written widely on action cinema, her books include The Pirate's Fiancée: Feminism, Reading, Postmodernism (Verso, 1988); Australian Cultural Studies: A Reader, co-edited with John Frow (Allen & Unwin ...
Pagina xiii
... Cinema (Duke University Press, 2000); Hard to Imagine: Gay Male Eroticism in Photography and Film from their Beginnings to Stonewall (Columbia University Press, 1996); and “Show Us Life”: Towards a History and Aesthetics of the ...
... Cinema (Duke University Press, 2000); Hard to Imagine: Gay Male Eroticism in Photography and Film from their Beginnings to Stonewall (Columbia University Press, 1996); and “Show Us Life”: Towards a History and Aesthetics of the ...
Pagina 2
... film studies has summoned its own perfectly adequate critical languages for the analysis of cinematic texts and a variety of historical models for understanding the roles that film has played as a mass cultural form. A perhaps more ...
... film studies has summoned its own perfectly adequate critical languages for the analysis of cinematic texts and a variety of historical models for understanding the roles that film has played as a mass cultural form. A perhaps more ...
Pagina 6
... film, for example, attempts to offer up a recognizable world. The fact that the bulk of popular cinemas do indeed attempt to show something that approximates our own lives (with a few important exceptions, such as the historical film ...
... film, for example, attempts to offer up a recognizable world. The fact that the bulk of popular cinemas do indeed attempt to show something that approximates our own lives (with a few important exceptions, such as the historical film ...
Alte ediții - Afișează-le pe toate
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2003 |
Termeni și expresii frecvente
12 Monkeys aesthetic Alien Alien Resurrection American argue audience Bo-wing Bob Perelman Born in East Bruce Lee Catherine Chan Chan’s Chicano Chinese cinema commodity contemporary context critical cultural studies cure desire discourse discussion East L.A. economic essay ethnic fans fantasy female feminism feminist figure film studies film’s gay male gay pornography gender global Hannibal heterosexual Hollywood homosexuality Hong Kong identity ideology industry Jackie Jackie Chan Judy Garland KWRU labor Lanza lesbian Lurene madness Mario Lanza martial arts media arts motion picture movie narrative political popular porn postmodern practices production projection projectionist psychoanalysis queer racial reading relation representation Ripley role romance Routledge Rudy scene screen Sebastian sexual social sodomy sound space spectator stardom structure talking cure television textual theater theory tion tourist transnational University Press urban viewers visual voice Walker Warrior Marks woman women York