Keyframes: Popular Cinema and Cultural StudiesMatthew Tinkcom, Amy Villarejo Routledge, 29 aug. 2003 - 416 pagini Keyframes introduces the study of popular cinema of Hollywood and beyond and responds to the transformative effect of cultural studies on film studies. The contributors rethink contemporary film culture using ideas and concerns from feminism, queer theory, 'race' studies, critiques of nationalism, colonialism and post-colonialism, the cultural economies of fandom, spectator theory, and Marxism. Combining a film studies focus on the film industry, production and technology with a cultural studies analysis of consumption and audiences, Keframes demonstrates the breadth of approaches now available for understanding popular cinema. Subjects addressed include: * Studying Ripley and the 'Alien' films * Pedagogy and Political Correctness in Martial Arts cinema * Judy Garland fandom on the net * Stardom and serial fantasies: Thomas Harris's 'Hannibal' * Tom Hanks and the globalization of stars * Queer Bollywood * Jackie Chan and the Black connection * '12 Monkeys', postmodernism and urban space. |
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Pagina i
... economies of fandom, spectator theory, and Marxism. Subjects addressed include: • studying Ripley and the Alien films • pedagogy and political correctness in martial arts cinema • Judy Garland fandom on the World Wide Web • stardom and ...
... economies of fandom, spectator theory, and Marxism. Subjects addressed include: • studying Ripley and the Alien films • pedagogy and political correctness in martial arts cinema • Judy Garland fandom on the World Wide Web • stardom and ...
Pagina xii
... Economic Miracles, is forthcoming from Duke University Press. Matthew Ruben earned his Ph.D. in English and Urban Studies from the University of Pennsylvania. His dissertation, “The Cultural Geography of Neoliberalism in the U.S. ...
... Economic Miracles, is forthcoming from Duke University Press. Matthew Ruben earned his Ph.D. in English and Urban Studies from the University of Pennsylvania. His dissertation, “The Cultural Geography of Neoliberalism in the U.S. ...
Pagina 2
... economies of fandom, spectator theory, and Marxism and its debates, as these sites of inquiry themselves might be said to cross-pollinate each other and press one another to achieve greater nuance in their approaches to film as formal ...
... economies of fandom, spectator theory, and Marxism and its debates, as these sites of inquiry themselves might be said to cross-pollinate each other and press one another to achieve greater nuance in their approaches to film as formal ...
Pagina 3
... economic and political strategies of its more mainstream cousin. In attempting to encompass films that appear in ever more widespread circumstances (the “blockbuster” Hollywood film) and films that are less widely available, this book ...
... economic and political strategies of its more mainstream cousin. In attempting to encompass films that appear in ever more widespread circumstances (the “blockbuster” Hollywood film) and films that are less widely available, this book ...
Pagina 4
... economy that now extends into seemingly every aspect of modern life, Marx's call for a revolutionary action against capitalism might seem outdated and worthy of what Marx himself called the “scrap-heap of history.” Indeed, many of ...
... economy that now extends into seemingly every aspect of modern life, Marx's call for a revolutionary action against capitalism might seem outdated and worthy of what Marx himself called the “scrap-heap of history.” Indeed, many of ...
Alte ediții - Afișează-le pe toate
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2003 |
Termeni și expresii frecvente
12 Monkeys aesthetic Alien Alien Resurrection American argue audience Bo-wing Bob Perelman Born in East Bruce Lee Catherine Chan Chan’s Chicano Chinese cinema commodity contemporary context critical cultural studies cure desire discourse discussion East L.A. economic essay ethnic fans fantasy female feminism feminist figure film studies film’s gay male gay pornography gender global Hannibal heterosexual Hollywood homosexuality Hong Kong identity ideology industry Jackie Jackie Chan Judy Garland KWRU labor Lanza lesbian Lurene madness Mario Lanza martial arts media arts motion picture movie narrative political popular porn postmodern practices production projection projectionist psychoanalysis queer racial reading relation representation Ripley role romance Routledge Rudy scene screen Sebastian sexual social sodomy sound space spectator stardom structure talking cure television textual theater theory tion tourist transnational University Press urban viewers visual voice Walker Warrior Marks woman women York