Keyframes: Popular Cinema and Cultural StudiesMatthew Tinkcom, Amy Villarejo Routledge, 29 aug. 2003 - 416 pagini Keyframes introduces the study of popular cinema of Hollywood and beyond and responds to the transformative effect of cultural studies on film studies. The contributors rethink contemporary film culture using ideas and concerns from feminism, queer theory, 'race' studies, critiques of nationalism, colonialism and post-colonialism, the cultural economies of fandom, spectator theory, and Marxism. Combining a film studies focus on the film industry, production and technology with a cultural studies analysis of consumption and audiences, Keframes demonstrates the breadth of approaches now available for understanding popular cinema. Subjects addressed include: * Studying Ripley and the 'Alien' films * Pedagogy and Political Correctness in Martial Arts cinema * Judy Garland fandom on the net * Stardom and serial fantasies: Thomas Harris's 'Hannibal' * Tom Hanks and the globalization of stars * Queer Bollywood * Jackie Chan and the Black connection * '12 Monkeys', postmodernism and urban space. |
Din interiorul cărții
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Pagina viii
... desire Paresh Rawal as hijra supermother Tikoo in the hit melodrama Tamanna (depicted with real-life Tikoo, right) Akshay Kumar and Saïf Ali Khan in Main Khiladi Tu Anari: homosocial male romance and playful antinomies of masculine ...
... desire Paresh Rawal as hijra supermother Tikoo in the hit melodrama Tamanna (depicted with real-life Tikoo, right) Akshay Kumar and Saïf Ali Khan in Main Khiladi Tu Anari: homosocial male romance and playful antinomies of masculine ...
Pagina 9
... (desire, the family, sexuality, perversion, prohibition, murder, addiction...). Cinema has, moreover, often referred to psychoanalysis directly: it. 4 Laura Mulvey, “Visual Pleasure and Narrative Cinema,” Screen 16 (1) (Winter 1975), 51 ...
... (desire, the family, sexuality, perversion, prohibition, murder, addiction...). Cinema has, moreover, often referred to psychoanalysis directly: it. 4 Laura Mulvey, “Visual Pleasure and Narrative Cinema,” Screen 16 (1) (Winter 1975), 51 ...
Pagina 10
... desire and power are produced and reproduced, whether in the individual, the family or socially. There is a danger, however, in being cavalier about the body of work we refer to when talking about “psychoanalysis” itself as an entity ...
... desire and power are produced and reproduced, whether in the individual, the family or socially. There is a danger, however, in being cavalier about the body of work we refer to when talking about “psychoanalysis” itself as an entity ...
Pagina 13
... desire.9 The challenges, however, that cultural studies poses to feminist psychoanalytic film theory and to psychoanalysis more generally are several, and those challenges inform the essays collected here. We close this section by ...
... desire.9 The challenges, however, that cultural studies poses to feminist psychoanalytic film theory and to psychoanalysis more generally are several, and those challenges inform the essays collected here. We close this section by ...
Pagina 14
... Desire and (Female) Disgust: Reading Hustler,” in Cultural Studies, 373–392. 11 Lawrence Grossberg, Cary Nelson, and Paula Treichler, “Cultural Studies: An Introduction,” in Cultural Studies, 8. 12 Jeffrey Weeks, Sex, Politics and ...
... Desire and (Female) Disgust: Reading Hustler,” in Cultural Studies, 373–392. 11 Lawrence Grossberg, Cary Nelson, and Paula Treichler, “Cultural Studies: An Introduction,” in Cultural Studies, 8. 12 Jeffrey Weeks, Sex, Politics and ...
Alte ediții - Afișează-le pe toate
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2003 |
Termeni și expresii frecvente
12 Monkeys aesthetic Alien Alien Resurrection American argue audience Bo-wing Bob Perelman Born in East Bruce Lee Catherine Chan Chan’s Chicano Chinese cinema commodity contemporary context critical cultural studies cure desire discourse discussion East L.A. economic essay ethnic fans fantasy female feminism feminist figure film studies film’s gay male gay pornography gender global Hannibal heterosexual Hollywood homosexuality Hong Kong identity ideology industry Jackie Jackie Chan Judy Garland KWRU labor Lanza lesbian Lurene madness Mario Lanza martial arts media arts motion picture movie narrative political popular porn postmodern practices production projection projectionist psychoanalysis queer racial reading relation representation Ripley role romance Routledge Rudy scene screen Sebastian sexual social sodomy sound space spectator stardom structure talking cure television textual theater theory tion tourist transnational University Press urban viewers visual voice Walker Warrior Marks woman women York