Keyframes: Popular Cinema and Cultural StudiesMatthew Tinkcom, Amy Villarejo Routledge, 29 aug. 2003 - 416 pagini Keyframes introduces the study of popular cinema of Hollywood and beyond and responds to the transformative effect of cultural studies on film studies. The contributors rethink contemporary film culture using ideas and concerns from feminism, queer theory, 'race' studies, critiques of nationalism, colonialism and post-colonialism, the cultural economies of fandom, spectator theory, and Marxism. Combining a film studies focus on the film industry, production and technology with a cultural studies analysis of consumption and audiences, Keframes demonstrates the breadth of approaches now available for understanding popular cinema. Subjects addressed include: * Studying Ripley and the 'Alien' films * Pedagogy and Political Correctness in Martial Arts cinema * Judy Garland fandom on the net * Stardom and serial fantasies: Thomas Harris's 'Hannibal' * Tom Hanks and the globalization of stars * Queer Bollywood * Jackie Chan and the Black connection * '12 Monkeys', postmodernism and urban space. |
Din interiorul cărții
Rezultatele 1 - 5 din 68
Pagina v
... context 52 INDERPAL GREWAL AND CAREN KAPLAN 3 “Daddy, where's the FBI warning?”: constructing the video spectator 72 INA RAE HARK 4 Romance and/as tourism: heritage whiteness and the (inter)national imaginary in the new woman's film 82 ...
... context 52 INDERPAL GREWAL AND CAREN KAPLAN 3 “Daddy, where's the FBI warning?”: constructing the video spectator 72 INA RAE HARK 4 Romance and/as tourism: heritage whiteness and the (inter)national imaginary in the new woman's film 82 ...
Pagina xiv
... context,” Camera Obscura 39 (September 1996): 5–33. © 2000 Duke University Press. All rights reserved. Reprinted with permission. Chapter 12: Rey Chow, “Nostalgia of the New Wave: Structure in Wong Kar-wai's Happy Together,” Camera ...
... context,” Camera Obscura 39 (September 1996): 5–33. © 2000 Duke University Press. All rights reserved. Reprinted with permission. Chapter 12: Rey Chow, “Nostalgia of the New Wave: Structure in Wong Kar-wai's Happy Together,” Camera ...
Pagina xvi
... context, there is probably a deep common cultural assumption. At the same time, within this assumption, there is the contradiction expressed both in the arguments about representative democracy and in the argument in art about relations ...
... context, there is probably a deep common cultural assumption. At the same time, within this assumption, there is the contradiction expressed both in the arguments about representative democracy and in the argument in art about relations ...
Pagina 2
... contexts [where] the result is that within the tradition, theoretical positions have always been provisional takes, meant to give us a better purchase on the world and always implicated within ongoing intellectual and political ...
... contexts [where] the result is that within the tradition, theoretical positions have always been provisional takes, meant to give us a better purchase on the world and always implicated within ongoing intellectual and political ...
Pagina 3
... contexts of exhibition, and the variety of subject-responses to the meanings of film. Further, such questions of production, distribution, and viewing are always imbricated with material factors of cinematography, editing, sound ...
... contexts of exhibition, and the variety of subject-responses to the meanings of film. Further, such questions of production, distribution, and viewing are always imbricated with material factors of cinematography, editing, sound ...
Alte ediții - Afișează-le pe toate
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2003 |
Termeni și expresii frecvente
12 Monkeys aesthetic Alien Alien Resurrection American argue audience Bo-wing Bob Perelman Born in East Bruce Lee Catherine Chan Chan’s Chicano Chinese cinema commodity contemporary context critical cultural studies cure desire discourse discussion East L.A. economic essay ethnic fans fantasy female feminism feminist figure film studies film’s gay male gay pornography gender global Hannibal heterosexual Hollywood homosexuality Hong Kong identity ideology industry Jackie Jackie Chan Judy Garland KWRU labor Lanza lesbian Lurene madness Mario Lanza martial arts media arts motion picture movie narrative political popular porn postmodern practices production projection projectionist psychoanalysis queer racial reading relation representation Ripley role romance Routledge Rudy scene screen Sebastian sexual social sodomy sound space spectator stardom structure talking cure television textual theater theory tion tourist transnational University Press urban viewers visual voice Walker Warrior Marks woman women York