Keyframes: Popular Cinema and Cultural StudiesMatthew Tinkcom, Amy Villarejo Routledge, 29 aug. 2003 - 416 pagini Keyframes introduces the study of popular cinema of Hollywood and beyond and responds to the transformative effect of cultural studies on film studies. The contributors rethink contemporary film culture using ideas and concerns from feminism, queer theory, 'race' studies, critiques of nationalism, colonialism and post-colonialism, the cultural economies of fandom, spectator theory, and Marxism. Combining a film studies focus on the film industry, production and technology with a cultural studies analysis of consumption and audiences, Keframes demonstrates the breadth of approaches now available for understanding popular cinema. Subjects addressed include: * Studying Ripley and the 'Alien' films * Pedagogy and Political Correctness in Martial Arts cinema * Judy Garland fandom on the net * Stardom and serial fantasies: Thomas Harris's 'Hannibal' * Tom Hanks and the globalization of stars * Queer Bollywood * Jackie Chan and the Black connection * '12 Monkeys', postmodernism and urban space. |
Din interiorul cărții
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Pagina 1
... commodities and representations play in sustaining the social formations that have arisen in the expansion of the industries that produce popular culture and its ideologies. Frequently, there has been little consensus among even those ...
... commodities and representations play in sustaining the social formations that have arisen in the expansion of the industries that produce popular culture and its ideologies. Frequently, there has been little consensus among even those ...
Pagina 2
... commodity to the formation of social identities and practices. With this in mind, this collection is offered not as a rejection of more traditional forms of film studies, but as one that builds upon the work of previous critical and ...
... commodity to the formation of social identities and practices. With this in mind, this collection is offered not as a rejection of more traditional forms of film studies, but as one that builds upon the work of previous critical and ...
Pagina 3
... commodities—such as corporate produced cinema—can, however momentarily, sustain within smaller social settings (“subcultures”) alternative or resistant readings (see again Grossberg's account of the work of Hall, Hebdige, McRobbie ...
... commodities—such as corporate produced cinema—can, however momentarily, sustain within smaller social settings (“subcultures”) alternative or resistant readings (see again Grossberg's account of the work of Hall, Hebdige, McRobbie ...
Pagina 5
... commodity represents their labor (for which they are rewarded in the form of wages), but it is an uneasy equation, mainly because labor seems so amorphous and intangible a phenomenon, while the commodity seems to have a fixed ...
... commodity represents their labor (for which they are rewarded in the form of wages), but it is an uneasy equation, mainly because labor seems so amorphous and intangible a phenomenon, while the commodity seems to have a fixed ...
Pagina 16
... commodities of the culture industries; a second, accompanying, one to discern those (often fragmentary) moments in which such desires did, however obliquely and momentarily, make their appearance; and the third tendency to want to forge ...
... commodities of the culture industries; a second, accompanying, one to discern those (often fragmentary) moments in which such desires did, however obliquely and momentarily, make their appearance; and the third tendency to want to forge ...
Alte ediții - Afișează-le pe toate
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2003 |
Termeni și expresii frecvente
12 Monkeys aesthetic Alien Alien Resurrection American argue audience Bo-wing Bob Perelman Born in East Bruce Lee Catherine Chan Chan’s Chicano Chinese cinema commodity contemporary context critical cultural studies cure desire discourse discussion East L.A. economic essay ethnic fans fantasy female feminism feminist figure film studies film’s gay male gay pornography gender global Hannibal heterosexual Hollywood homosexuality Hong Kong identity ideology industry Jackie Jackie Chan Judy Garland KWRU labor Lanza lesbian Lurene madness Mario Lanza martial arts media arts motion picture movie narrative political popular porn postmodern practices production projection projectionist psychoanalysis queer racial reading relation representation Ripley role romance Routledge Rudy scene screen Sebastian sexual social sodomy sound space spectator stardom structure talking cure television textual theater theory tion tourist transnational University Press urban viewers visual voice Walker Warrior Marks woman women York