Keyframes: Popular Cinema and Cultural StudiesMatthew Tinkcom, Amy Villarejo Routledge, 29 aug. 2003 - 416 pagini Keyframes introduces the study of popular cinema of Hollywood and beyond and responds to the transformative effect of cultural studies on film studies. The contributors rethink contemporary film culture using ideas and concerns from feminism, queer theory, 'race' studies, critiques of nationalism, colonialism and post-colonialism, the cultural economies of fandom, spectator theory, and Marxism. Combining a film studies focus on the film industry, production and technology with a cultural studies analysis of consumption and audiences, Keframes demonstrates the breadth of approaches now available for understanding popular cinema. Subjects addressed include: * Studying Ripley and the 'Alien' films * Pedagogy and Political Correctness in Martial Arts cinema * Judy Garland fandom on the net * Stardom and serial fantasies: Thomas Harris's 'Hannibal' * Tom Hanks and the globalization of stars * Queer Bollywood * Jackie Chan and the Black connection * '12 Monkeys', postmodernism and urban space. |
Din interiorul cărții
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Pagina 10
... aesthetic form and narrative structure, but also for thinking through the ways in which desire and power are produced and reproduced, whether in the individual, the family or socially. There is a danger, however, in being cavalier about ...
... aesthetic form and narrative structure, but also for thinking through the ways in which desire and power are produced and reproduced, whether in the individual, the family or socially. There is a danger, however, in being cavalier about ...
Pagina 11
... aesthetic discourse in its own right. That is to say, psychoanalysis as a narrative-producing mechanism can be understood as similar to fiction, or to forms of narrative cinema, just as the language of the dream seems to have filmic ...
... aesthetic discourse in its own right. That is to say, psychoanalysis as a narrative-producing mechanism can be understood as similar to fiction, or to forms of narrative cinema, just as the language of the dream seems to have filmic ...
Pagina 27
... aesthetic productions. What “official” black history denies, homosexual desire, the film affirms in abundance; whatever most would want to see as separate, the film conjoins. Julien thus “meditates” (as he tells us in an introductory ...
... aesthetic productions. What “official” black history denies, homosexual desire, the film affirms in abundance; whatever most would want to see as separate, the film conjoins. Julien thus “meditates” (as he tells us in an introductory ...
Pagina 71
Ți-ai atins limita de vizualizări pentru această carte.
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Pagina 137
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Alte ediții - Afișează-le pe toate
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2003 |
Termeni și expresii frecvente
12 Monkeys aesthetic Alien Alien Resurrection American argue audience Bo-wing Bob Perelman Born in East Bruce Lee Catherine Chan Chan’s Chicano Chinese cinema commodity contemporary context critical cultural studies cure desire discourse discussion East L.A. economic essay ethnic fans fantasy female feminism feminist figure film studies film’s gay male gay pornography gender global Hannibal heterosexual Hollywood homosexuality Hong Kong identity ideology industry Jackie Jackie Chan Judy Garland KWRU labor Lanza lesbian Lurene madness Mario Lanza martial arts media arts motion picture movie narrative political popular porn postmodern practices production projection projectionist psychoanalysis queer racial reading relation representation Ripley role romance Routledge Rudy scene screen Sebastian sexual social sodomy sound space spectator stardom structure talking cure television textual theater theory tion tourist transnational University Press urban viewers visual voice Walker Warrior Marks woman women York