Keyframes: Popular Cinema and Cultural StudiesMatthew Tinkcom, Amy Villarejo Routledge, 29 aug. 2003 - 416 pagini Keyframes introduces the study of popular cinema of Hollywood and beyond and responds to the transformative effect of cultural studies on film studies. The contributors rethink contemporary film culture using ideas and concerns from feminism, queer theory, 'race' studies, critiques of nationalism, colonialism and post-colonialism, the cultural economies of fandom, spectator theory, and Marxism. Combining a film studies focus on the film industry, production and technology with a cultural studies analysis of consumption and audiences, Keframes demonstrates the breadth of approaches now available for understanding popular cinema. Subjects addressed include: * Studying Ripley and the 'Alien' films * Pedagogy and Political Correctness in Martial Arts cinema * Judy Garland fandom on the net * Stardom and serial fantasies: Thomas Harris's 'Hannibal' * Tom Hanks and the globalization of stars * Queer Bollywood * Jackie Chan and the Black connection * '12 Monkeys', postmodernism and urban space. |
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Pagina i
... 12 Monkeys, postmodernism, and urban space Contributors: Rich Cante, Rey Chow, Steven Cohan, Pamela Church Gibson, Inderpal Grewal, Ina Rae Hark, Caren Kaplan, Marcia Landy, Gina Marchetti, Toby Miller, Linda Mizejewski, Meaghan Morris ...
... 12 Monkeys, postmodernism, and urban space Contributors: Rich Cante, Rey Chow, Steven Cohan, Pamela Church Gibson, Inderpal Grewal, Ina Rae Hark, Caren Kaplan, Marcia Landy, Gina Marchetti, Toby Miller, Linda Mizejewski, Meaghan Morris ...
Pagina vii
... 12 Monkeys, postmodernism, and the urban: toward a new method MATTHEW RUBEN Terminator technology: Hollywood, history, and technology PAUL SMITH “Compulsory” viewing for every citizen: Mr. Smith and the rhetoric of reception ERIC ...
... 12 Monkeys, postmodernism, and the urban: toward a new method MATTHEW RUBEN Terminator technology: Hollywood, history, and technology PAUL SMITH “Compulsory” viewing for every citizen: Mr. Smith and the rhetoric of reception ERIC ...
Pagina ix
... 12 Monkeys in Kensington, North Philadelphia, February 1995 323 17.3 A Kensington Welfare Rights Union demonstration 329 18.1 Arnold Schwarzenegger in The Terminator (Orion 1984) 338 18.2 Arnold Schwarzenegger and Edward Furlong in ...
... 12 Monkeys in Kensington, North Philadelphia, February 1995 323 17.3 A Kensington Welfare Rights Union demonstration 329 18.1 Arnold Schwarzenegger in The Terminator (Orion 1984) 338 18.2 Arnold Schwarzenegger and Edward Furlong in ...
Pagina 312
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Pagina 314
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Alte ediții - Afișează-le pe toate
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2003 |
Termeni și expresii frecvente
12 Monkeys aesthetic Alien Alien Resurrection American argue audience Bo-wing Bob Perelman Born in East Bruce Lee Catherine Chan Chan’s Chicano Chinese cinema commodity contemporary context critical cultural studies cure desire discourse discussion East L.A. economic essay ethnic fans fantasy female feminism feminist figure film studies film’s gay male gay pornography gender global Hannibal heterosexual Hollywood homosexuality Hong Kong identity ideology industry Jackie Jackie Chan Judy Garland KWRU labor Lanza lesbian Lurene madness Mario Lanza martial arts media arts motion picture movie narrative political popular porn postmodern practices production projection projectionist psychoanalysis queer racial reading relation representation Ripley role romance Routledge Rudy scene screen Sebastian sexual social sodomy sound space spectator stardom structure talking cure television textual theater theory tion tourist transnational University Press urban viewers visual voice Walker Warrior Marks woman women York