An Essay Toward a History of Shakespeare in Norway ...University of Chicago, 1917 - 112 pagini |
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Pagina 34
... begins Act II , Sc . 1 , and runs through Act II to Oberon's words immediately before the entrance of Helen and Demetrius : But who comes here ? I am invisible ; And I will overhear their conference . Then the translator omits ...
... begins Act II , Sc . 1 , and runs through Act II to Oberon's words immediately before the entrance of Helen and Demetrius : But who comes here ? I am invisible ; And I will overhear their conference . Then the translator omits ...
Pagina 44
... and carelessness in details . For instance the king begins ( p . 7 ) by addressing Laertes : Hvad melder De mig om Dem selv , Laertes ? and two lines below : Hvad kan du be mig om ? It might be a mere slip that the translator in 44.
... and carelessness in details . For instance the king begins ( p . 7 ) by addressing Laertes : Hvad melder De mig om Dem selv , Laertes ? and two lines below : Hvad kan du be mig om ? It might be a mere slip that the translator in 44.
Pagina 47
... Begins with I , 2 and goes to I , 3. Then follows without change of scene , I , 3. and , following that , 1 , 3 . In Wildenvey this is all one scene . Opens with a rhapsodical conversation between the Act III . Act IV . banished duke ...
... Begins with I , 2 and goes to I , 3. Then follows without change of scene , I , 3. and , following that , 1 , 3 . In Wildenvey this is all one scene . Opens with a rhapsodical conversation between the Act III . Act IV . banished duke ...
Pagina 48
... Begins with III , 2 . IV , 1 . Then follows III , 4 , III 5 , Wildenvey's last act ( IV ) opens with Shakespeare's IV , 2 and continues : IV , 3 , V , 1 , V , 2 , V , 3 , V , 4 . A study of this scheme shows that Wildenvey has done no ...
... Begins with III , 2 . IV , 1 . Then follows III , 4 , III 5 , Wildenvey's last act ( IV ) opens with Shakespeare's IV , 2 and continues : IV , 3 , V , 1 , V , 2 , V , 3 , V , 4 . A study of this scheme shows that Wildenvey has done no ...
Pagina 50
... begins in the English with a brief dialogue in prose between Jacques and the two lords . In Wildenvey this is changed to a rhymed dialogue in iambic tetrameters between Jacques and Amiens . In like manner , the blank verse dialogue ...
... begins in the English with a brief dialogue in prose between Jacques and the two lords . In Wildenvey this is changed to a rhymed dialogue in iambic tetrameters between Jacques and Amiens . In like manner , the blank verse dialogue ...
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Termeni și expresii frecvente
Aasen Adapted Aftenposten Akter Alven Augo Bergens Tidende Bjørnson Botten Hansen Brandes Brutus bysse Cæsar characters Christiania Christiania Theater Collin Coriolanus Cressida d'er Danish deim Denmark dialects Eder Eggen English fairy Falstaff feeling fenden Foersom Første fraa genius give given Gobbo gode godt Hamlet Hauge hederlige Ibsen igjennem Indledning Ivar Ivar Aasen Johannes Brun Julius Caesar kvar Landsmaal language Lassen Lembcke Lembcke's translation lines literary literature Livet Macbeth Madhus Mand Merchant of Venice Midsummer Night's Dream Monrad Mønsaas Morgenbladet Nationaltheatret natt night Norway Norwegian literature Norwegian translation Ophelia original Othello performance poet poetry prose rendering Rosalinde Rosenfeldt saadan Nat samvite scene segjer Shake Shakespeare's plays Shakespearean criticism Sille Beyer Sjæl Skuespil skulde slig en Nat sonnets speare speare's speech stage tragedy trans translation of Shakespeare Troilus vaar Varp Venedig verse Wildenvey Wildenvey's William Shakespeare yver
Pasaje populare
Pagina 4 - But yesterday, the word of Caesar might Have stood against the world : now lies he there, And none so poor to do him reverence.
Pagina 80 - Though I look old, yet I am strong and lusty : For in my youth I never did apply Hot and rebellious liquors in my blood ; 7 Nor did not with unbashful forehead woo The means of weakness and debility ; Therefore my age is as a lusty winter, Frosty, but kindly : let me go with you ; I'll do the service of a younger man In all your business and necessities.
Pagina 38 - At a fair vestal, throned by the west ; And loos'd his love-shaft smartly from his bow, As it should pierce a hundred thousand hearts : But I might see young Cupid's fiery shaft...
Pagina 88 - Who chooseth me, shall gain what many men desire. Who chooseth me, shall get as much as he deserves.
Pagina 91 - Is sad to think upon his merchandise. Ant. Believe me, no : I thank my fortune for it, My ventures are not in one bottom trusted, Nor to one place ; nor is my whole estate Upon the fortune of this present year : Therefore my merchandise makes me not sad. Sal. Why then you are in love. Ant. Fie, fie ! Sal. Not in love neither ? Then let's say...
Pagina 31 - Your mind is tossing on the ocean; There, where your argosies with portly sail, Like signiors and rich burghers on the flood, Or, as it were, the pageants of the sea, Do overpeer the petty traffickers, That curtsy to them, do them reverence, As they fly by them with their woven wings.
Pagina 14 - ... Landsmaalet. In Skrifter i Samling is printed another little fragment of Romeo and Juliet, which the editor, without giving his reasons, assigns to a date earlier than that of the balcony scene. It is Mercutio's description of Queen Mab (Act I, Sc. 4). This is decidedly more successful than the other. The vocabulary of the Norwegian dialects is rich in words of fairy-lore, and one who knew this word treasure as Aasen did could render the fancies of Mercutio with something very near the exuberance...
Pagina 38 - My gentle Puck, come hither. Thou rememberest Since once I sat upon a promontory, And heard a mermaid, on a dolphin's back, Uttering such dulcet and harmonious breath, That the rude sea grew civil at her song ; And certain stars shot madly from their spheres, To hear the sea-maid's music.
Pagina 78 - ... ability to enter into another personality, his capacity of imaginative expansion to include the lives of others. Compare the noble sonnet 112, which Collin translates: Din kjaerlighed og medynk daekker til det ar, som sladderen paa min pande trykket.
Pagina 28 - ... modern dialect and the exquisite silk and gossamer of the vocabulary of romance of a " cultured language." Madhus has been successful in rendering into Landsmaal scenes as different as the witch-scene, the porter-scene (which Lassen omitted for fear it would contaminate the minds of school children), the exquisite lines of the King and Banquo on their arrival at Macbeth's castle, and Macbeth's last, tragic soliloquy when he learns of the death of his queen. Duncan and Banquo arrive at the castle...
Referințe la această carte
A Midsummer Night's Dream: Shakespeare: The Critical Tradition, Volume 7 Judith M. Kennedy,Richard F. Kennedy Vizualizare fragmente - 1999 |
A Midsummer Night's Dream: Shakespeare: The Critical Tradition, Volume 7 Judith M. Kennedy,Richard F. Kennedy Vizualizare fragmente - 1999 |