The World & Art of ShakespeareD. Davey, 1967 - 285 pagini |
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Pagina
... stand where some sort of stand is required . We have discussed everything jointly but have worked independently , and have not worried unduly about whether we see eye to eye on every detail . The running - titles throughout the book ...
... stand where some sort of stand is required . We have discussed everything jointly but have worked independently , and have not worried unduly about whether we see eye to eye on every detail . The running - titles throughout the book ...
Pagina 48
... stands symbolically for some other place or places represented either consecutively or contemporaneously ; thus , the acting area in the theatre may stand for any ' thematic place ' - a street in Venice , a forest in Arden , a castle in ...
... stands symbolically for some other place or places represented either consecutively or contemporaneously ; thus , the acting area in the theatre may stand for any ' thematic place ' - a street in Venice , a forest in Arden , a castle in ...
Pagina 223
... stand in the opening scene . Nor does she ever express regret for that initial action ; rather it is Lear who , at their reconci- liation , suffers a ' sovereign shame ' . But , as the Fool says , ' Truth's a dog must to ken- nel , he ...
... stand in the opening scene . Nor does she ever express regret for that initial action ; rather it is Lear who , at their reconci- liation , suffers a ' sovereign shame ' . But , as the Fool says , ' Truth's a dog must to ken- nel , he ...
Cuprins
SHAKESPEARE AND THE DRAMATIC TRADITION | 12 |
THE ELIZABETHAN THEATRE | 25 |
IDOLA THEATRI | 38 |
Drept de autor | |
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Termeni și expresii frecvente
accepted action actors Antony appear attitude audience awareness becomes beginning bring Caesar called century character Christian Cleopatra close comedy contrast conventions corrupt court critics daughter death demand drama earlier effect Elizabethan England English evil example expression fact fall Falstaff father feeling finally follow fool friends give Hamlet hand hath Henry hero honour human important indicate Italy killed kind king later leads Lear less live lovers means mind moral murder nature never noble once opening Othello passion patterns performed Plautus play plot presented reason referred rejection represented revealed revenge Richard romantic scene sense serve Shakespeare shows speak speech stage stresses symbolic theatre theme things thou tragedy Troilus true turn values virtue whole wife
Referințe la această carte
A New Variorum Edition of Shakespeare: King Henry IV, part 2. 1940 William Shakespeare Nu există previzualizare disponibilă - 1977 |