The World & Art of ShakespeareD. Davey, 1967 - 285 pagini |
Din interiorul cărții
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Pagina 33
... stage there were two doors , one on either side , for the entrance and exit of the actors . These were either in line with the back wall , or at an angle to each other . Above them were windows which were used as a ' window - stage ...
... stage there were two doors , one on either side , for the entrance and exit of the actors . These were either in line with the back wall , or at an angle to each other . Above them were windows which were used as a ' window - stage ...
Pagina 34
... stage were two - storied booths with curtains all round which could easily and quickly be drawn to allow a full , unimpeded view of the interior from every angle . The lower story would be connected by a trapdoor with the area below the ...
... stage were two - storied booths with curtains all round which could easily and quickly be drawn to allow a full , unimpeded view of the interior from every angle . The lower story would be connected by a trapdoor with the area below the ...
Pagina 43
... stage was called , and the ' Hell ' as the area beneath the stage was called , still retained something of their spiritual meaning over and above their pragmatic function . Properties and persons , kings and fools , crowns and baubles ...
... stage was called , and the ' Hell ' as the area beneath the stage was called , still retained something of their spiritual meaning over and above their pragmatic function . Properties and persons , kings and fools , crowns and baubles ...
Cuprins
SHAKESPEARE AND THE DRAMATIC TRADITION | 12 |
THE ELIZABETHAN THEATRE | 25 |
IDOLA THEATRI | 38 |
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Termeni și expresii frecvente
accepted action actors Antony appear attitude audience awareness becomes beginning bring Caesar called century character Christian Cleopatra close comedy contrast conventions corrupt court critics daughter death demand drama earlier effect Elizabethan England English evil example expression fact fall Falstaff father feeling finally follow fool friends give Hamlet hand hath Henry hero honour human important indicate Italy killed kind king later leads Lear less live lovers means mind moral murder nature never noble once opening Othello passion patterns performed Plautus play plot presented reason referred rejection represented revealed revenge Richard romantic scene sense serve Shakespeare shows speak speech stage stresses symbolic theatre theme things thou tragedy Troilus true turn values virtue whole wife
Referințe la această carte
A New Variorum Edition of Shakespeare: King Henry IV, part 2. 1940 William Shakespeare Nu există previzualizare disponibilă - 1977 |