The World & Art of ShakespeareD. Davey, 1967 - 285 pagini |
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Pagina 50
... pattern out of a number of smaller component patterns . The work has a structural as well as a thematic unity , with a beginning , middle and end which have not only a formal fitness but meaningfulness as well , and it results in the ...
... pattern out of a number of smaller component patterns . The work has a structural as well as a thematic unity , with a beginning , middle and end which have not only a formal fitness but meaningfulness as well , and it results in the ...
Pagina 53
... patterns , in the way the forces of national des- tiny worked themselves out , in their meaning for their day and for his own . History provided the themes of both his very earliest and his very latest plays , from the Henry VI trilogy ...
... patterns , in the way the forces of national des- tiny worked themselves out , in their meaning for their day and for his own . History provided the themes of both his very earliest and his very latest plays , from the Henry VI trilogy ...
Pagina 281
... pattern of parallels and contrasts : old Egeus , mature Theseus , the young lovers , and the timeless fairies . As an ... patterns of imagery , of deep - lying symbols , of mode and mood and tone - colour , of character relationships ...
... pattern of parallels and contrasts : old Egeus , mature Theseus , the young lovers , and the timeless fairies . As an ... patterns of imagery , of deep - lying symbols , of mode and mood and tone - colour , of character relationships ...
Cuprins
SHAKESPEARE AND THE DRAMATIC TRADITION | 12 |
THE ELIZABETHAN THEATRE | 25 |
IDOLA THEATRI | 38 |
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Termeni și expresii frecvente
accepted action actors Antony appear attitude audience awareness becomes beginning bring Caesar called century character Christian Cleopatra close comedy contrast conventions corrupt court critics daughter death demand drama earlier effect Elizabethan England English evil example expression fact fall Falstaff father feeling finally follow fool friends give Hamlet hand hath Henry hero honour human important indicate Italy killed kind king later leads Lear less live lovers means mind moral murder nature never noble once opening Othello passion patterns performed Plautus play plot presented reason referred rejection represented revealed revenge Richard romantic scene sense serve Shakespeare shows speak speech stage stresses symbolic theatre theme things thou tragedy Troilus true turn values virtue whole wife
Referințe la această carte
A New Variorum Edition of Shakespeare: King Henry IV, part 2. 1940 William Shakespeare Nu există previzualizare disponibilă - 1977 |