The World & Art of ShakespeareD. Davey, 1967 - 285 pagini |
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Pagina 40
... moral order of the world , and are not purposeless , even when their purpose transcends the comprehension of man . At the very moment of defeat , therefore , there comes to the audience and usually to the protagonist himself ' the ...
... moral order of the world , and are not purposeless , even when their purpose transcends the comprehension of man . At the very moment of defeat , therefore , there comes to the audience and usually to the protagonist himself ' the ...
Pagina 179
... moral codes , with Tamora representing the claims of humane mercy and Titus the strict adherence to set codes ... moral grounds . With incredible speed and condensation , the horrors pile up , the sole justification for the welter of ...
... moral codes , with Tamora representing the claims of humane mercy and Titus the strict adherence to set codes ... moral grounds . With incredible speed and condensation , the horrors pile up , the sole justification for the welter of ...
Pagina 252
... moral answers do not , after all , exist in the dubious moral climate of the world of politics . It is practical expediency that wins the day , and this practical expediency is shown as being , at times , nothing more than hypocrisy ...
... moral answers do not , after all , exist in the dubious moral climate of the world of politics . It is practical expediency that wins the day , and this practical expediency is shown as being , at times , nothing more than hypocrisy ...
Cuprins
SHAKESPEARE AND THE DRAMATIC TRADITION | 12 |
THE ELIZABETHAN THEATRE | 25 |
IDOLA THEATRI | 38 |
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Termeni și expresii frecvente
accepted action actors Antony appear attitude audience awareness becomes beginning bring Caesar called century character Christian Cleopatra close comedy contrast conventions corrupt court critics daughter death demand drama earlier effect Elizabethan England English evil example expression fact fall Falstaff father feeling finally follow fool friends give Hamlet hand hath Henry hero honour human important indicate Italy killed kind king later leads Lear less live lovers means mind moral murder nature never noble once opening Othello passion patterns performed Plautus play plot presented reason referred rejection represented revealed revenge Richard romantic scene sense serve Shakespeare shows speak speech stage stresses symbolic theatre theme things thou tragedy Troilus true turn values virtue whole wife
Referințe la această carte
A New Variorum Edition of Shakespeare: King Henry IV, part 2. 1940 William Shakespeare Nu există previzualizare disponibilă - 1977 |