The World & Art of ShakespeareD. Davey, 1967 - 285 pagini |
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Pagina 18
... live side by side with extreme realism , without any effort to reconcile them . The crude representation of the super- natural became traditional , and no strain was felt in accepting fairies , ghosts , and witches on the stage , any ...
... live side by side with extreme realism , without any effort to reconcile them . The crude representation of the super- natural became traditional , and no strain was felt in accepting fairies , ghosts , and witches on the stage , any ...
Pagina 93
... live . When this is known , then to divide the times : So many hours must I tend my flock ; So many hours must I take my rest ; So many hours must I contemplate ; So many hours must I sport myself ; So many days my ewes have been with ...
... live . When this is known , then to divide the times : So many hours must I tend my flock ; So many hours must I take my rest ; So many hours must I contemplate ; So many hours must I sport myself ; So many days my ewes have been with ...
Pagina 176
... live , Who is your sister's son , Mark Antony . I do consent , ANTONY : He shall not live ; look , with a spot I damn him . ( IV , i , 1 ) And Antony's cold , calculating hypocrisy is proved by the contempt with which he speaks of ' old ...
... live , Who is your sister's son , Mark Antony . I do consent , ANTONY : He shall not live ; look , with a spot I damn him . ( IV , i , 1 ) And Antony's cold , calculating hypocrisy is proved by the contempt with which he speaks of ' old ...
Cuprins
SHAKESPEARE AND THE DRAMATIC TRADITION | 12 |
THE ELIZABETHAN THEATRE | 25 |
IDOLA THEATRI | 38 |
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Termeni și expresii frecvente
accepted action actors Antony appear attitude audience awareness becomes beginning bring Caesar called century character Christian Cleopatra close comedy contrast conventions corrupt court critics daughter death demand drama earlier effect Elizabethan England English evil example expression fact fall Falstaff father feeling finally follow fool friends give Hamlet hand hath Henry hero honour human important indicate Italy killed kind king later leads Lear less live lovers means mind moral murder nature never noble once opening Othello passion patterns performed Plautus play plot presented reason referred rejection represented revealed revenge Richard romantic scene sense serve Shakespeare shows speak speech stage stresses symbolic theatre theme things thou tragedy Troilus true turn values virtue whole wife
Referințe la această carte
A New Variorum Edition of Shakespeare: King Henry IV, part 2. 1940 William Shakespeare Nu există previzualizare disponibilă - 1977 |