The World & Art of ShakespeareD. Davey, 1967 - 285 pagini |
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Pagina 18
... kind of symbolism which , thanks to the elastic imagination of the audience , could live side by side with extreme realism , without any effort to reconcile them . The crude representation of the super- natural became traditional , and ...
... kind of symbolism which , thanks to the elastic imagination of the audience , could live side by side with extreme realism , without any effort to reconcile them . The crude representation of the super- natural became traditional , and ...
Pagina 180
... kind of play which , from the success of Kyd's The Spanish Tragedy and Marlowe's The Jew of Malta , he knew they loved to see - a play full of bloodshed and spectacle , with the very simple moral that justice , even of the crudest kind ...
... kind of play which , from the success of Kyd's The Spanish Tragedy and Marlowe's The Jew of Malta , he knew they loved to see - a play full of bloodshed and spectacle , with the very simple moral that justice , even of the crudest kind ...
Pagina 227
... kind . To Macduff's revelation that ' Most sacrilegious murder hath broke ope / The Lord's anointed temple , and stole thence / The life o'the building ' , Macbeth adds his prophetic proclamation : ' Renown and grace is dead , / The ...
... kind . To Macduff's revelation that ' Most sacrilegious murder hath broke ope / The Lord's anointed temple , and stole thence / The life o'the building ' , Macbeth adds his prophetic proclamation : ' Renown and grace is dead , / The ...
Cuprins
SHAKESPEARE AND THE DRAMATIC TRADITION | 12 |
THE ELIZABETHAN THEATRE | 25 |
IDOLA THEATRI | 38 |
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Termeni și expresii frecvente
accepted action actors Antony appear attitude audience awareness becomes beginning bring Caesar called century character Christian Cleopatra close comedy contrast conventions corrupt court critics daughter death demand drama earlier effect Elizabethan England English evil example expression fact fall Falstaff father feeling finally follow fool friends give Hamlet hand hath Henry hero honour human important indicate Italy killed kind king later leads Lear less live lovers means mind moral murder nature never noble once opening Othello passion patterns performed Plautus play plot presented reason referred rejection represented revealed revenge Richard romantic scene sense serve Shakespeare shows speak speech stage stresses symbolic theatre theme things thou tragedy Troilus true turn values virtue whole wife
Referințe la această carte
A New Variorum Edition of Shakespeare: King Henry IV, part 2. 1940 William Shakespeare Nu există previzualizare disponibilă - 1977 |