The World & Art of ShakespeareD. Davey, 1967 - 285 pagini |
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Pagina 96
... evil of the House of York and this is most clearly brought out by the violent outbursts of Queen Margaret , the widow of Henry VI , a ghostly figure who hovers in the background like a visible curse . The descendants of York may be the ...
... evil of the House of York and this is most clearly brought out by the violent outbursts of Queen Margaret , the widow of Henry VI , a ghostly figure who hovers in the background like a visible curse . The descendants of York may be the ...
Pagina 256
... evil , as in Hamlet and King Lear . Or we saw the difficulty of distinguishing between the mingled yarns of good and evil , as in Measure for Measure . Here we find , as I said earlier , incipient tragedy . In Cymbeline the innocent ...
... evil , as in Hamlet and King Lear . Or we saw the difficulty of distinguishing between the mingled yarns of good and evil , as in Measure for Measure . Here we find , as I said earlier , incipient tragedy . In Cymbeline the innocent ...
Pagina 257
... Evil and violence undoubtedly exist in these final plays and for a while we are led to believe that the evil and violence may triumph over man's better instincts . But the tragic climax is passed ; the act of horror that precipitates ...
... Evil and violence undoubtedly exist in these final plays and for a while we are led to believe that the evil and violence may triumph over man's better instincts . But the tragic climax is passed ; the act of horror that precipitates ...
Cuprins
SHAKESPEARE AND THE DRAMATIC TRADITION | 12 |
THE ELIZABETHAN THEATRE | 25 |
IDOLA THEATRI | 38 |
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Termeni și expresii frecvente
accepted action actors Antony appear attitude audience awareness becomes beginning bring Caesar called century character Christian Cleopatra close comedy contrast conventions corrupt court critics daughter death demand drama earlier effect Elizabethan England English evil example expression fact fall Falstaff father feeling finally follow fool friends give Hamlet hand hath Henry hero honour human important indicate Italy killed kind king later leads Lear less live lovers means mind moral murder nature never noble once opening Othello passion patterns performed Plautus play plot presented reason referred rejection represented revealed revenge Richard romantic scene sense serve Shakespeare shows speak speech stage stresses symbolic theatre theme things thou tragedy Troilus true turn values virtue whole wife
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A New Variorum Edition of Shakespeare: King Henry IV, part 2. 1940 William Shakespeare Nu există previzualizare disponibilă - 1977 |