The World & Art of ShakespeareD. Davey, 1967 - 285 pagini |
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Pagina 35
... effect . The dramatist had therefore to wind up the acting in a way that would be swift , yet not so artificially abrupt as to break the illusion and create a discordant effect . The ending had to be organic and in har- mony with the ...
... effect . The dramatist had therefore to wind up the acting in a way that would be swift , yet not so artificially abrupt as to break the illusion and create a discordant effect . The ending had to be organic and in har- mony with the ...
Pagina 36
... effect was not dissimilar to that obtained in the cinema with its technique of montage and cutting and was employed to provide variety , parallel or contrasting tones , mood and actions , effects or illusions of simultaneity and so on ...
... effect was not dissimilar to that obtained in the cinema with its technique of montage and cutting and was employed to provide variety , parallel or contrasting tones , mood and actions , effects or illusions of simultaneity and so on ...
Pagina 145
... effect later , when Hero is falsely accused and can find no words sufficient to defend herself . ) Beatrice even , as it were , speaks on Hero's behalf , drawing our attention , as well as that of the other characters , to Hero's ...
... effect later , when Hero is falsely accused and can find no words sufficient to defend herself . ) Beatrice even , as it were , speaks on Hero's behalf , drawing our attention , as well as that of the other characters , to Hero's ...
Cuprins
SHAKESPEARE AND THE DRAMATIC TRADITION | 12 |
THE ELIZABETHAN THEATRE | 25 |
IDOLA THEATRI | 38 |
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accepted action actors Antony appear attitude audience awareness becomes beginning bring Caesar called century character Christian Cleopatra close comedy contrast conventions corrupt court critics daughter death demand drama earlier effect Elizabethan England English evil example expression fact fall Falstaff father feeling finally follow fool friends give Hamlet hand hath Henry hero honour human important indicate Italy killed kind king later leads Lear less live lovers means mind moral murder nature never noble once opening Othello passion patterns performed Plautus play plot presented reason referred rejection represented revealed revenge Richard romantic scene sense serve Shakespeare shows speak speech stage stresses symbolic theatre theme things thou tragedy Troilus true turn values virtue whole wife
Referințe la această carte
A New Variorum Edition of Shakespeare: King Henry IV, part 2. 1940 William Shakespeare Nu există previzualizare disponibilă - 1977 |