The World & Art of ShakespeareD. Davey, 1967 - 285 pagini |
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Pagina 3
... criticism of Shakespeare's plays and more particularly of Shakespeare performances ; though sometimes provoking , his comments ... critics of the theatre . When Shaw was a boy , there died W. S. Landor ( 1775-1864 ) who came from near ...
... criticism of Shakespeare's plays and more particularly of Shakespeare performances ; though sometimes provoking , his comments ... critics of the theatre . When Shaw was a boy , there died W. S. Landor ( 1775-1864 ) who came from near ...
Pagina 12
... critics of the 17th and 18th centuries could not accept without very major reservations the rules and concepts of the drama drawn up by European critics from the 16th century onward was that Shakespeare did not fit into these ideal ...
... critics of the 17th and 18th centuries could not accept without very major reservations the rules and concepts of the drama drawn up by European critics from the 16th century onward was that Shakespeare did not fit into these ideal ...
Pagina 270
... critics as the supreme example of the untutored genius , ' warbling his native woodnotes wild ' , as Milton described him . Till the nineteenth century , the standard view that persisted was of the happy - go - lucky , hit - or - miss ...
... critics as the supreme example of the untutored genius , ' warbling his native woodnotes wild ' , as Milton described him . Till the nineteenth century , the standard view that persisted was of the happy - go - lucky , hit - or - miss ...
Cuprins
SHAKESPEARE AND THE DRAMATIC TRADITION | 12 |
THE ELIZABETHAN THEATRE | 25 |
IDOLA THEATRI | 38 |
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Termeni și expresii frecvente
accepted action actors Antony appear attitude audience awareness becomes beginning bring Caesar called century character Christian Cleopatra close comedy contrast conventions corrupt court critics daughter death demand drama earlier effect Elizabethan England English evil example expression fact fall Falstaff father feeling finally follow fool friends give Hamlet hand hath Henry hero honour human important indicate Italy killed kind king later leads Lear less live lovers means mind moral murder nature never noble once opening Othello passion patterns performed Plautus play plot presented reason referred rejection represented revealed revenge Richard romantic scene sense serve Shakespeare shows speak speech stage stresses symbolic theatre theme things thou tragedy Troilus true turn values virtue whole wife
Referințe la această carte
A New Variorum Edition of Shakespeare: King Henry IV, part 2. 1940 William Shakespeare Nu există previzualizare disponibilă - 1977 |