The World & Art of ShakespeareD. Davey, 1967 - 285 pagini |
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Pagina 38
... conventions , and of the climate of opinion at the time when the plays were written . Changes in the conventions of theme , form and medium constituted yet another barrier through which few could break . These created what might be ...
... conventions , and of the climate of opinion at the time when the plays were written . Changes in the conventions of theme , form and medium constituted yet another barrier through which few could break . These created what might be ...
Pagina 45
... conventions that underlie the two facets men- tioned , namely , the literary product and the social activity of this art . There are several possible approaches . One might for example consider the semantics of dramatic and theatrical ...
... conventions that underlie the two facets men- tioned , namely , the literary product and the social activity of this art . There are several possible approaches . One might for example consider the semantics of dramatic and theatrical ...
Pagina 51
... conventions which distance the events enacted , thus allowing for perspec- tive and aesthetic evaluation . The Age of Elizabeth and its World - Outlook Some Dramatic Illusion and Formal Conventions / 51.
... conventions which distance the events enacted , thus allowing for perspec- tive and aesthetic evaluation . The Age of Elizabeth and its World - Outlook Some Dramatic Illusion and Formal Conventions / 51.
Cuprins
SHAKESPEARE AND THE DRAMATIC TRADITION | 12 |
THE ELIZABETHAN THEATRE | 25 |
IDOLA THEATRI | 38 |
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Termeni și expresii frecvente
accepted action actors Antony appear attitude audience awareness becomes beginning bring Caesar called century character Christian Cleopatra close comedy contrast conventions corrupt court critics daughter death demand drama earlier effect Elizabethan England English evil example expression fact fall Falstaff father feeling finally follow fool friends give Hamlet hand hath Henry hero honour human important indicate Italy killed kind king later leads Lear less live lovers means mind moral murder nature never noble once opening Othello passion patterns performed Plautus play plot presented reason referred rejection represented revealed revenge Richard romantic scene sense serve Shakespeare shows speak speech stage stresses symbolic theatre theme things thou tragedy Troilus true turn values virtue whole wife
Referințe la această carte
A New Variorum Edition of Shakespeare: King Henry IV, part 2. 1940 William Shakespeare Nu există previzualizare disponibilă - 1977 |