The World & Art of ShakespeareD. Davey, 1967 - 285 pagini |
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Pagina 78
... contrast with the women and the servants , Proteus and Valentine are revealed as respectively shallow and stupid and it is this contrast which makes one wonder whether there may not have been a great degree of irony intended by the ...
... contrast with the women and the servants , Proteus and Valentine are revealed as respectively shallow and stupid and it is this contrast which makes one wonder whether there may not have been a great degree of irony intended by the ...
Pagina 103
... contrast the reception that Richard met with : no man cried ' God save him ! ' No joyful tongue gave him his welcome home : But dust was thrown upon his sacred head ; Which with such gentle sorrow he shook off , His face still combating ...
... contrast the reception that Richard met with : no man cried ' God save him ! ' No joyful tongue gave him his welcome home : But dust was thrown upon his sacred head ; Which with such gentle sorrow he shook off , His face still combating ...
Pagina 131
... contrast between Jessica and the faith- ful , self - sacrificing Abigail in The Jew of Malta is an illuminating and interesting one , for , unlike Marlowe , Shakespeare does nothing to bring out a contrast between the appealing and ...
... contrast between Jessica and the faith- ful , self - sacrificing Abigail in The Jew of Malta is an illuminating and interesting one , for , unlike Marlowe , Shakespeare does nothing to bring out a contrast between the appealing and ...
Cuprins
SHAKESPEARE AND THE DRAMATIC TRADITION | 12 |
THE ELIZABETHAN THEATRE | 25 |
IDOLA THEATRI | 38 |
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Termeni și expresii frecvente
accepted action actors Antony appear attitude audience awareness becomes beginning bring Caesar called century character Christian Cleopatra close comedy contrast conventions corrupt court critics daughter death demand drama earlier effect Elizabethan England English evil example expression fact fall Falstaff father feeling finally follow fool friends give Hamlet hand hath Henry hero honour human important indicate Italy killed kind king later leads Lear less live lovers means mind moral murder nature never noble once opening Othello passion patterns performed Plautus play plot presented reason referred rejection represented revealed revenge Richard romantic scene sense serve Shakespeare shows speak speech stage stresses symbolic theatre theme things thou tragedy Troilus true turn values virtue whole wife
Referințe la această carte
A New Variorum Edition of Shakespeare: King Henry IV, part 2. 1940 William Shakespeare Nu există previzualizare disponibilă - 1977 |