The World & Art of ShakespeareD. Davey, 1967 - 285 pagini |
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Pagina 43
... called , and the ' Hell ' as the area beneath the stage was called , still retained something of their spiritual meaning over and above their pragmatic function . Properties and persons , kings and fools , crowns and baubles , combined ...
... called , and the ' Hell ' as the area beneath the stage was called , still retained something of their spiritual meaning over and above their pragmatic function . Properties and persons , kings and fools , crowns and baubles , combined ...
Pagina 45
... called ' mysteries ' indicate the connection with secret religious rites , which is what the Greek word means , and like the early ' miracle plays ' it points to the religious origins of drama . ' Dramatis personae ' , the term for the ...
... called ' mysteries ' indicate the connection with secret religious rites , which is what the Greek word means , and like the early ' miracle plays ' it points to the religious origins of drama . ' Dramatis personae ' , the term for the ...
Pagina 46
... called the ' Heaven ' , while the trap - door in the stage- floor led to the ' Hell ' . In modern pantomime , it is still the custom for the heroes to use only the exit on the right of the stage , while the evil characters use only the ...
... called the ' Heaven ' , while the trap - door in the stage- floor led to the ' Hell ' . In modern pantomime , it is still the custom for the heroes to use only the exit on the right of the stage , while the evil characters use only the ...
Cuprins
SHAKESPEARE AND THE DRAMATIC TRADITION | 12 |
THE ELIZABETHAN THEATRE | 25 |
IDOLA THEATRI | 38 |
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Termeni și expresii frecvente
accepted action actors Antony appear attitude audience awareness becomes beginning bring Caesar called century character Christian Cleopatra close comedy contrast conventions corrupt court critics daughter death demand drama earlier effect Elizabethan England English evil example expression fact fall Falstaff father feeling finally follow fool friends give Hamlet hand hath Henry hero honour human important indicate Italy killed kind king later leads Lear less live lovers means mind moral murder nature never noble once opening Othello passion patterns performed Plautus play plot presented reason referred rejection represented revealed revenge Richard romantic scene sense serve Shakespeare shows speak speech stage stresses symbolic theatre theme things thou tragedy Troilus true turn values virtue whole wife
Referințe la această carte
A New Variorum Edition of Shakespeare: King Henry IV, part 2. 1940 William Shakespeare Nu există previzualizare disponibilă - 1977 |