The World & Art of ShakespeareD. Davey, 1967 - 285 pagini |
Din interiorul cărții
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Pagina 17
... beginning to direct the drama more clearly to matters of this world as being of importance in their own right , in contrast to earlier tendencies which regarded this life as a mere prelude to the world to come . Plays were beginning to ...
... beginning to direct the drama more clearly to matters of this world as being of importance in their own right , in contrast to earlier tendencies which regarded this life as a mere prelude to the world to come . Plays were beginning to ...
Pagina 53
... beginning to become the objects of thought . A new order was threatening the spiritual security of traditional forms of belief ; new assessments were forming of the relations of man and the world , of man and men , of man and secular ...
... beginning to become the objects of thought . A new order was threatening the spiritual security of traditional forms of belief ; new assessments were forming of the relations of man and the world , of man and men , of man and secular ...
Pagina 54
... beginning of the seventeenth century , one that would in time radically change the relations of man with God , the Universe , and his fellow - men . To a few unusually percipient thinkers like Bacon the philosopher , Raleigh the ...
... beginning of the seventeenth century , one that would in time radically change the relations of man with God , the Universe , and his fellow - men . To a few unusually percipient thinkers like Bacon the philosopher , Raleigh the ...
Cuprins
SHAKESPEARE AND THE DRAMATIC TRADITION | 12 |
THE ELIZABETHAN THEATRE | 25 |
IDOLA THEATRI | 38 |
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Termeni și expresii frecvente
accepted action actors Antony appear attitude audience awareness becomes beginning bring Caesar called century character Christian Cleopatra close comedy contrast conventions corrupt court critics daughter death demand drama earlier effect Elizabethan England English evil example expression fact fall Falstaff father feeling finally follow fool friends give Hamlet hand hath Henry hero honour human important indicate Italy killed kind king later leads Lear less live lovers means mind moral murder nature never noble once opening Othello passion patterns performed Plautus play plot presented reason referred rejection represented revealed revenge Richard romantic scene sense serve Shakespeare shows speak speech stage stresses symbolic theatre theme things thou tragedy Troilus true turn values virtue whole wife
Referințe la această carte
A New Variorum Edition of Shakespeare: King Henry IV, part 2. 1940 William Shakespeare Nu există previzualizare disponibilă - 1977 |