The World & Art of ShakespeareD. Davey, 1967 - 285 pagini |
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Pagina 33
... action would probably shift forward to the stage proper . The rest of the rear wall between the two doors and the inner stage was covered by a tapestry or ' arras ' behind which actors could hide when the action demanded it , as for ...
... action would probably shift forward to the stage proper . The rest of the rear wall between the two doors and the inner stage was covered by a tapestry or ' arras ' behind which actors could hide when the action demanded it , as for ...
Pagina 36
... action and plot could easily be presented in interrelation with subsidiary actions and sub - plots . It is noteworthy that some of Shakespeare's plays have as many as thirty , forty , or even more scenes and few have less than twenty ...
... action and plot could easily be presented in interrelation with subsidiary actions and sub - plots . It is noteworthy that some of Shakespeare's plays have as many as thirty , forty , or even more scenes and few have less than twenty ...
Pagina 50
... action are artificially heightened ; the words are enunciated more clearly , more loudly , with different intonations , and with greater coherence than in everyday life ; the movements are not quite the same as those performed normally ...
... action are artificially heightened ; the words are enunciated more clearly , more loudly , with different intonations , and with greater coherence than in everyday life ; the movements are not quite the same as those performed normally ...
Cuprins
SHAKESPEARE AND THE DRAMATIC TRADITION | 12 |
THE ELIZABETHAN THEATRE | 25 |
IDOLA THEATRI | 38 |
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Termeni și expresii frecvente
accepted action actors Antony appear attitude audience awareness becomes beginning bring Caesar called century character Christian Cleopatra close comedy contrast conventions corrupt court critics daughter death demand drama earlier effect Elizabethan England English evil example expression fact fall Falstaff father feeling finally follow fool friends give Hamlet hand hath Henry hero honour human important indicate Italy killed kind king later leads Lear less live lovers means mind moral murder nature never noble once opening Othello passion patterns performed Plautus play plot presented reason referred rejection represented revealed revenge Richard romantic scene sense serve Shakespeare shows speak speech stage stresses symbolic theatre theme things thou tragedy Troilus true turn values virtue whole wife
Referințe la această carte
A New Variorum Edition of Shakespeare: King Henry IV, part 2. 1940 William Shakespeare Nu există previzualizare disponibilă - 1977 |