The Life of Ludwig Van Beethoven, Volumul 3Beethoven Association, 1921 |
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Alexander Wheelock Thayer Henry Edward Krehbiel. 4723 2 SECOND PRINTING Copyright , 1921 , By Henry Edward Krehbiel From the press of G. Schirmer , Inc. , New York Printed in the U. S. A. Contents of Volume III CHAPTER I. The Year 1819 -
Alexander Wheelock Thayer Henry Edward Krehbiel. 4723 2 SECOND PRINTING Copyright , 1921 , By Henry Edward Krehbiel From the press of G. Schirmer , Inc. , New York Printed in the U. S. A. Contents of Volume III CHAPTER I. The Year 1819 -
Pagina 11
... in preserving their integrity when they offered evidence in contradiction of his printed statements is the conviction of this editor for reasons which will appear later . economizing space and each new sentence is usually also a.
... in preserving their integrity when they offered evidence in contradiction of his printed statements is the conviction of this editor for reasons which will appear later . economizing space and each new sentence is usually also a.
Pagina 19
... printed the archducal work in the seventh number of his " Musical Museum " under a slightly changed title , viz .: " Theme ( Aufgabe ) composed by Ludwig van Beethoven , varied forty times and dedicated to the author by his pupil R ...
... printed the archducal work in the seventh number of his " Musical Museum " under a slightly changed title , viz .: " Theme ( Aufgabe ) composed by Ludwig van Beethoven , varied forty times and dedicated to the author by his pupil R ...
Pagina 35
... printed it in 1825 , when B. Schott's Sons in Mayence asked him for a contribution to their musical journal " Cäcilia , " which had been founded a year before . Now comes Nottebohm with his evidence in the case . A man named Gross was ...
... printed it in 1825 , when B. Schott's Sons in Mayence asked him for a contribution to their musical journal " Cäcilia , " which had been founded a year before . Now comes Nottebohm with his evidence in the case . A man named Gross was ...
Pagina 48
... printed : " A contribution from the great composer to the publisher . " They must have been asked for in 1820 . Somewhere about February of that year an unidentified hand writes in the Conversation Book : " Starcke wants a little music ...
... printed : " A contribution from the great composer to the publisher . " They must have been asked for in 1820 . Somewhere about February of that year an unidentified hand writes in the Conversation Book : " Starcke wants a little music ...
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Termeni și expresii frecvente
50 ducats appear Archduke Rudolph Artaria asked autograph B-flat Baden Beet Beethoven wrote Berlin Brentano brother canon chorus composer composer's composition concert Conversation Book copy court dedicated Diabelli ducats evidence fact Fidelio florins friends Galitzin gave Gerhard von Breuning Gesellschaft der Musikfreunde give Gneixendorf Grillparzer guardianship hand Haslinger Holz hoven Johann van Beethoven Karl Karl's King later letter Lichnowsky London Ludwig Ludwig van Beethoven Madame van Beethoven Malfatti manuscript March Mass matter Mödling Moscheles mother movement nephew never Ninth Symphony Nottebohm offered once opera oratorio Otto Jahn overture performance Peters Philharmonic Society pianoforte played present Prince Galitzin published Quartet received remark request Ries Rochlitz Schindler says Schlesinger Schott and Sons Schuppanzigh score seems sent Simrock sketches Sonata songs soon Steiner Stephan von Breuning story tells Thayer theatre thought told took uncle Vienna Wawruch words write written
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Pagina 209 - May he defend our laws, And ever give us cause, To sing with heart and voice, God save the King.
Pagina 15 - ... had been prepared had become unpalatable. In the living-room, behind a locked door, we heard the master singing parts of the fugue in the Credo — singing, howling, stamping. After we had been listening a long time to this almost awful scene, and were about to go away, the door opened and Beethoven stood before us with distorted features, calculated to excite fear. He looked as if he had been in mortal combat with the whole host of contrapuntists, his everlasting enemies. His first utterances...
Pagina 207 - Beethoven intended to allude to himself I suppose for he was very ill during the early part of this year. He directed the performers, and took off his coat the room being warm and crowded. A staccato passage not being expressed to the satisfaction of his eye, for alas, he could not hear, he seized Holz's violin and played the passage a quarter of a tone too flat.
Pagina 126 - ... incited by moods, which are translated by the poet into words, by me into tones that sound, and roar and storm about me until I have set them down in notes.
Pagina 285 - Feuillant) not only tells us that he ended his life with that jest, but that he left a paper sealed up wherein were found three articles as his last will : 'I owe much, I have nothing, I give the rest to the poor.
Pagina 288 - Beethoven's dwelling.) After this unexpected phenomenon of nature, which startled me greatly, Beethoven opened his eyes, lifted his right hand and looked up for several seconds with his fist clenched and a very serious, threatening expression as if he wanted to say: "Inimical powers, I defy you! Away with you! God is with me!
Pagina 15 - It was four o'clock in the afternoon. As soon as we entered we learned that in the morning both servants had gone away, and that there had been a quarrel after midnight which had disturbed all the...
Pagina 126 - I see and hear the picture in all its extent and dimensions stand before my mind like a cast and there remains for me nothing but the labor of writing it down, which is quickly accomplished when I have the time, for I sometimes take up other work, but never to the confusion of one with the other.
Pagina 15 - ... because as a consequence of a long vigil both had gone to sleep and the food which had been prepared had become unpalatable. In the living-room, behind a locked door, we heard the master singing parts of the fugue in the Credo — singing, howling, stamping. After we had been listening a long time to this almost awful scene, and were about to go away, the door opened and Beethoven stood before us with distorted features, calculated to excite fear. He looked as if he had been in mortal combat...
Pagina 135 - Handel is the greatest composer that ever lived." I can not describe to you with what pathos, and I am inclined to say, with what sublimity of language, he spoke of the "Messiah