The Warhol Economy: How Fashion, Art, and Music Drive New York CityPrinceton University Press, 2007 - 258 pagini Which is more important to New York City's economy, the gleaming corporate office--or the grungy rock club that launches the best new bands? If you said "office," think again. In The Warhol Economy, Elizabeth Currid argues that creative industries like fashion, art, and music drive the economy of New York as much as--if not more than--finance, real estate, and law. And these creative industries are fueled by the social life that whirls around the clubs, galleries, music venues, and fashion shows where creative people meet, network, exchange ideas, pass judgments, and set the trends that shape popular culture.
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Cuprins
Art Culture and New York City | 1 |
How It All Began From the Rise of the Factory to the Rise of Bling | 17 |
Becoming Creative | 45 |
The Social Life of Creativity | 66 |
The Economics of a Dance Floor | 87 |
Creating Buzz Selling Cool | 114 |
The Rise of Global Tastemakers What It All Means for the Policymakers | 154 |
EPILOGUE | 187 |
APPENDIX | 191 |
NOTES | 211 |
233 | |
243 | |
Alte ediții - Afișează-le pe toate
The Warhol Economy: How Fashion, Art, and Music Drive New York City - New ... Elizabeth Currid-Halkett Previzualizare limitată - 2009 |
The Warhol Economy: How Fashion, Art, and Music Drive New York City - New ... Elizabeth Currid-Halkett Previzualizare limitată - 2020 |
The Warhol Economy: How Fashion, Art, and Music Drive New York City - New ... Elizabeth Currid-Halkett Vizualizare fragmente - 2009 |
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