 My idea was that the overture ought to indicate the subject and prepare the spectators for the character of the piece they are about to see; that the instruments ought to be introduced in proportion to the degree of interest and passion in the words...  The Evolution of the Art of Music - Pagina 218de Charles Hubert Hastings Parry - 1906 - 342 paginiVizualizare completă - Despre această carte
 | Wilhelm Langhans - 1886 - 200 pagini
...spectators for the character of the piece they are about to see; that the instruments ought to be introduced in proportion to the degree of interest and passion...great a disparity between the Recitative and the Air of a dialogue, so as not to break the sense of a period or awkwardly interrupt the movement and animation... | |
 | William Smyth Rockstro - 1886 - 564 pagini
...that he thought it ' necessary to avoid too great a disparity between the Recitative, and the Air of a dialogue, so as not to break the sense of a period, or awkwardly interrupt the progress and animation of a Scene.' These were golden maxims. They formed the foundation of the system... | |
 | William James Henderson - 1889 - 230 pagini
...for the character of the piece they are about to see ; that the instruments ought to be introduced in proportion to the degree of interest and passion...great a disparity between the recitative and the air of a dialogue, so as not to break the sense of a period or awkwardly interrupt the movement and animation... | |
 | William James Henderson - 1889 - 240 pagini
...was necessary above all to avoid making too great a disparity between the recitative and the air of a dialogue, so as not to break the sense of a period...awkwardly interrupt the movement and animation of a scene. I also thought that my chief endeavor should be to attain a grand simplicity ; and consequently I have... | |
 | John Knowles Paine, Theodore Thomas, Karl Klauser - 1891 - 296 pagini
...was necessary above all to avoid making too great a disparity between the recitative and the air of a dialogue, so as not to break the sense of a period...awkwardly interrupt the movement and animation of a scene. I also thought that my chief endeavor should be to attain a grand simplicity; and consequently I have... | |
 | John Knowles Paine, Theodore Thomas, Karl Klauser - 1891 - 298 pagini
...for the character of the piece they are about to see ; that the instruments ought to be introduced in proportion to the degree of interest and passion in the words ; and that it is necessary, above all, to avoid making too great a disparity between the recitative and the air of... | |
 | Charles Frederick Holder - 1893 - 712 pagini
...for the character of the piece they were about to see; that the instruments ought to be introduced in proportion to the degree of interest and passion...too great a disparity between the recitative and the aria of a dialogue, so as not to break the sense of a period or awkwardly interrupt the movement or... | |
 | Charles Hubert Hastings Parry - 1894 - 392 pagini
...spectators for the character of the piece they are about to see; that the instruments ought to be introduced in proportion to the degree of interest and passion...interrupt the movement and animation of a scene," &c. The Viennese were not so much moved by these considerations, or by his practical exposition in the... | |
 | William James Henderson - 1898 - 432 pagini
...for the character of the piece they are about to see ; that the instruments ought to be introduced in proportion to the degree of interest and passion...great a disparity between the recitative and the air of a dialogue, so as not to break the sense of a period or awkwardly interrupt the movement and animation... | |
 | Esther Singleton - 1899 - 412 pagini
...the character of the piece they are about to see ; and that the instruments ought to be introduced in proportion to the degree of interest and passion in the words." No model has surpassed Mozart's, with its regular return of subject and episode, obeying the same laws... | |
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