The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina ix
... musical characters of Haydn and Mozart - Symphonies - Orchestration -Quartetts - Increase of variety of types - High organisation in a formal sense · 233 CHAPTER XII BALANCE OF EXPRESSION AND DESIGN Development of resources CONTENTS ix.
... musical characters of Haydn and Mozart - Symphonies - Orchestration -Quartetts - Increase of variety of types - High organisation in a formal sense · 233 CHAPTER XII BALANCE OF EXPRESSION AND DESIGN Development of resources CONTENTS ix.
Pagina x
... variety of traits and forms • · 273 CHAPTER XIV MODERN PHASES OF OPERA Italian disposition and its fruits - French opera - German ideals— Wagner - Early influences - Instinct and theory - Exile and reflection - Maturity - Methods and ...
... variety of traits and forms • · 273 CHAPTER XIV MODERN PHASES OF OPERA Italian disposition and its fruits - French opera - German ideals— Wagner - Early influences - Instinct and theory - Exile and reflection - Maturity - Methods and ...
Pagina 12
... variety of musical and æsthetical devices , and are necessarily made to recur with ! extraordinary frequency in proportion to the exhausting kinds of excitation employed by modern composers . In mature art the systematisation of such ...
... variety of musical and æsthetical devices , and are necessarily made to recur with ! extraordinary frequency in proportion to the exhausting kinds of excitation employed by modern composers . In mature art the systematisation of such ...
Pagina 25
... variety of character , to which the Greeks were keenly alive ; and they expressed their views of these diversities both in writing and in practice . The Spartan boys were exclu- sively taught the Doric mode , because it was considered ...
... variety of character , to which the Greeks were keenly alive ; and they expressed their views of these diversities both in writing and in practice . The Spartan boys were exclu- sively taught the Doric mode , because it was considered ...
Pagina 27
... variety . But it appears improbable that the Greeks arrived at any clear perception of the functions of the notes of the scale after the manner in which we regard our tonic and dominant : the full development of this phase of scale ...
... variety . But it appears improbable that the Greeks arrived at any clear perception of the functions of the notes of the scale after the manner in which we regard our tonic and dominant : the full development of this phase of scale ...
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The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's bass beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasise expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human idea Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organisation ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
Pasaje populare
Pagina 218 - My idea was that the overture ought to indicate the subject and prepare the spectators for the character of the piece they are about to see; that the instruments ought to be introduced in proportion to the degree of interest and passion in the words...
Pagina i - Heredity." $1.50. 42. ANTS, BEES, AND WASPS. A Record of Observations of the Habits of the Social Hymenoptera. By Sir JOHN LUBBOCK, Bart., FRS, DCL, LL.
Pagina 7 - The rhythmic music is then defined only by the pulses, and has no change of pitch ; while purely melodic music has change of pitch, but no definition or regularity of impulse. The latter is frequently met with among savage races, and even as near the homes of highest art as the outof-the-way corners of the British Isles. Pure, unalloyed rhythmic music is found in most parts of the uncivilised globe; and the degree of excitement to which it can give rise, when the mere beating of a drum or tom-tom...
Pagina 244 - Parisian one into the shade in every respect. The general quality of the musical thoughts is finer, richer, and more interesting; while the purely orchestral effects, especially in the slow movement, are among the most successful things of the kind he ever achieved. And finally the three great symphonies which he wrote in Vienna in 1788 represent the highest level in idea and style and in every distinguished quality of art he ever attained to. They are the crown of his life's work; for in them he...