The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina vii
... song and dancing - Melody and rhythm - The art based upon contrasts - Nervous exhaustion and its influence on the art- Tension and relaxation - Organisation PAGE CHAPTER II SCALES Definite relations of pitch indispensable - Slow ...
... song and dancing - Melody and rhythm - The art based upon contrasts - Nervous exhaustion and its influence on the art- Tension and relaxation - Organisation PAGE CHAPTER II SCALES Definite relations of pitch indispensable - Slow ...
Pagina x
... song - Treatment of words - Expres- sion and design - Pianoforte music - Obviousness and obscurity -Realism - Great variety of traits and forms • · 273 CHAPTER XIV MODERN PHASES OF OPERA Italian disposition and its fruits - French opera ...
... song - Treatment of words - Expres- sion and design - Pianoforte music - Obviousness and obscurity -Realism - Great variety of traits and forms • · 273 CHAPTER XIV MODERN PHASES OF OPERA Italian disposition and its fruits - French opera ...
Pagina 7
... song or any other kind of vocal utterance ; and therefore the rhythmic elements and the melodic elements are only different forms in which the same class of feelings and emotions are expressed . All dancing is ultimately derived from ...
... song or any other kind of vocal utterance ; and therefore the rhythmic elements and the melodic elements are only different forms in which the same class of feelings and emotions are expressed . All dancing is ultimately derived from ...
Pagina 8
... song . Both express emotions in their respective ways , and both convey the excitement of the performers to sympathetic listeners ; and both lose the obvious traces of their origin in the development of artistic devices . As the ruder ...
... song . Both express emotions in their respective ways , and both convey the excitement of the performers to sympathetic listeners ; and both lose the obvious traces of their origin in the development of artistic devices . As the ruder ...
Pagina 42
... song had been generally in the bass , and had been doubled in the higher parts ; then it was transferred to the middle parts , and other melodies called counterpoints were written round it ; and then , finally , a totally new aspect of ...
... song had been generally in the bass , and had been doubled in the higher parts ; then it was transferred to the middle parts , and other melodies called counterpoints were written round it ; and then , finally , a totally new aspect of ...
Alte ediții - Afișează-le pe toate
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's bass beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasise expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human idea Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organisation ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
Pasaje populare
Pagina 218 - My idea was that the overture ought to indicate the subject and prepare the spectators for the character of the piece they are about to see; that the instruments ought to be introduced in proportion to the degree of interest and passion in the words...
Pagina i - Heredity." $1.50. 42. ANTS, BEES, AND WASPS. A Record of Observations of the Habits of the Social Hymenoptera. By Sir JOHN LUBBOCK, Bart., FRS, DCL, LL.
Pagina 7 - The rhythmic music is then defined only by the pulses, and has no change of pitch ; while purely melodic music has change of pitch, but no definition or regularity of impulse. The latter is frequently met with among savage races, and even as near the homes of highest art as the outof-the-way corners of the British Isles. Pure, unalloyed rhythmic music is found in most parts of the uncivilised globe; and the degree of excitement to which it can give rise, when the mere beating of a drum or tom-tom...
Pagina 244 - Parisian one into the shade in every respect. The general quality of the musical thoughts is finer, richer, and more interesting; while the purely orchestral effects, especially in the slow movement, are among the most successful things of the kind he ever achieved. And finally the three great symphonies which he wrote in Vienna in 1788 represent the highest level in idea and style and in every distinguished quality of art he ever attained to. They are the crown of his life's work; for in them he...