The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina 2
... sometimes interpreted by those who are not artistic as a love of approbation or noto- riety ; and though a morbid development of the instinct may sometimes degenerate into that unhappy weakness , the almost universal prevalence of the ...
... sometimes interpreted by those who are not artistic as a love of approbation or noto- riety ; and though a morbid development of the instinct may sometimes degenerate into that unhappy weakness , the almost universal prevalence of the ...
Pagina 6
... Sometimes a single figure suffices . When they are clever enough to devise two , they alternate them , but without much sense of orderliness ; and it takes a long period of human development before the irregular haphazard alter- nation ...
... Sometimes a single figure suffices . When they are clever enough to devise two , they alternate them , but without much sense of orderliness ; and it takes a long period of human development before the irregular haphazard alter- nation ...
Pagina 7
... sometimes happened that races who have de- veloped up to an advanced standard of intellectuality have not succeeded in systematising more than a very limited range of sounds . But complete musical art has to be made definite in other ...
... sometimes happened that races who have de- veloped up to an advanced standard of intellectuality have not succeeded in systematising more than a very limited range of sounds . But complete musical art has to be made definite in other ...
Pagina 31
... sometimes too low and sometimes too high ; but through examining a number of specimens a rude average has been obtained , which seems to indicate a system curiously like the modern European system of twelve semitones . But it is clear ...
... sometimes too low and sometimes too high ; but through examining a number of specimens a rude average has been obtained , which seems to indicate a system curiously like the modern European system of twelve semitones . But it is clear ...
Pagina 50
... sometimes to reiterate B till they were tired of that , and then to go back to A again , and so on . They are said to have gone on doing this for hours . As we rise in the human scale the phrases get longer and more varied ; and the ...
... sometimes to reiterate B till they were tired of that , and then to go back to A again , and so on . They are said to have gone on doing this for hours . As we rise in the human scale the phrases get longer and more varied ; and the ...
Alte ediții - Afișează-le pe toate
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's bass beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasise expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human idea Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organisation ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
Pasaje populare
Pagina 218 - My idea was that the overture ought to indicate the subject and prepare the spectators for the character of the piece they are about to see; that the instruments ought to be introduced in proportion to the degree of interest and passion in the words...
Pagina i - Heredity." $1.50. 42. ANTS, BEES, AND WASPS. A Record of Observations of the Habits of the Social Hymenoptera. By Sir JOHN LUBBOCK, Bart., FRS, DCL, LL.
Pagina 7 - The rhythmic music is then defined only by the pulses, and has no change of pitch ; while purely melodic music has change of pitch, but no definition or regularity of impulse. The latter is frequently met with among savage races, and even as near the homes of highest art as the outof-the-way corners of the British Isles. Pure, unalloyed rhythmic music is found in most parts of the uncivilised globe; and the degree of excitement to which it can give rise, when the mere beating of a drum or tom-tom...
Pagina 244 - Parisian one into the shade in every respect. The general quality of the musical thoughts is finer, richer, and more interesting; while the purely orchestral effects, especially in the slow movement, are among the most successful things of the kind he ever achieved. And finally the three great symphonies which he wrote in Vienna in 1788 represent the highest level in idea and style and in every distinguished quality of art he ever attained to. They are the crown of his life's work; for in them he...