The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina 14
... aimed at characteristic illustration of things which are interesting and attractive on other grounds than mere beauty of design or of texture . CHAPTER II SCALES THE first indispensable requirement of music is 14 THE ART OF MUSIC.
... aimed at characteristic illustration of things which are interesting and attractive on other grounds than mere beauty of design or of texture . CHAPTER II SCALES THE first indispensable requirement of music is 14 THE ART OF MUSIC.
Pagina 15
Charles Hubert Hastings Parry. CHAPTER II SCALES THE first indispensable requirement of music is a series of notes which stand in some recognisable relation to one another in respect of pitch ; for there is nothing which the mind can lay ...
Charles Hubert Hastings Parry. CHAPTER II SCALES THE first indispensable requirement of music is a series of notes which stand in some recognisable relation to one another in respect of pitch ; for there is nothing which the mind can lay ...
Pagina 19
... requirements of melody when supported by the chords which supply the other requisites of a cadence simultaneously . In melodic systems the majority of cadences are , as the word implies , made downwards ; and undoubtedly in a majority ...
... requirements of melody when supported by the chords which supply the other requisites of a cadence simultaneously . In melodic systems the majority of cadences are , as the word implies , made downwards ; and undoubtedly in a majority ...
Pagina 117
... requirements of ecclesiastical functions . must have made considerable demands on the powers of organists from comparatively early times ; and though the backward state of the mechanism of the instrument prevented them from achieving ...
... requirements of ecclesiastical functions . must have made considerable demands on the powers of organists from comparatively early times ; and though the backward state of the mechanism of the instrument prevented them from achieving ...
Pagina 127
... requirements of their art as they went on . At first they seem to have had no idea that any kind of design or even musical figures were required . They thought it sufficient for the solo voice to declaim the poetry in musical sounds ...
... requirements of their art as they went on . At first they seem to have had no idea that any kind of design or even musical figures were required . They thought it sufficient for the solo voice to declaim the poetry in musical sounds ...
Alte ediții - Afișează-le pe toate
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's bass beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasise expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human idea Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organisation ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
Pasaje populare
Pagina 218 - My idea was that the overture ought to indicate the subject and prepare the spectators for the character of the piece they are about to see; that the instruments ought to be introduced in proportion to the degree of interest and passion in the words...
Pagina i - Heredity." $1.50. 42. ANTS, BEES, AND WASPS. A Record of Observations of the Habits of the Social Hymenoptera. By Sir JOHN LUBBOCK, Bart., FRS, DCL, LL.
Pagina 7 - The rhythmic music is then defined only by the pulses, and has no change of pitch ; while purely melodic music has change of pitch, but no definition or regularity of impulse. The latter is frequently met with among savage races, and even as near the homes of highest art as the outof-the-way corners of the British Isles. Pure, unalloyed rhythmic music is found in most parts of the uncivilised globe; and the degree of excitement to which it can give rise, when the mere beating of a drum or tom-tom...
Pagina 244 - Parisian one into the shade in every respect. The general quality of the musical thoughts is finer, richer, and more interesting; while the purely orchestral effects, especially in the slow movement, are among the most successful things of the kind he ever achieved. And finally the three great symphonies which he wrote in Vienna in 1788 represent the highest level in idea and style and in every distinguished quality of art he ever attained to. They are the crown of his life's work; for in them he...