The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina 43
... progress they ultimately com- pleted a scale which they had known all along , but had rather looked down upon as an inferior specimen of its kind . This simply proves what is now quite obvious , that for melodic purposes such modes as ...
... progress they ultimately com- pleted a scale which they had known all along , but had rather looked down upon as an inferior specimen of its kind . This simply proves what is now quite obvious , that for melodic purposes such modes as ...
Pagina 44
... progress to contrast , and back to the initial starting - point , the whole fabric of modern harmonic music is built . The other notes fell into their places by degrees . The mediant ( as E in C ) chiefly as the defining note for major ...
... progress to contrast , and back to the initial starting - point , the whole fabric of modern harmonic music is built . The other notes fell into their places by degrees . The mediant ( as E in C ) chiefly as the defining note for major ...
Pagina 87
... progress has been more and more rapid , but in early times it was most astonishingly slow . Men allowed some of our most familiar combinations as notes of passage - purely sub- ordinate details - and by their use in that manner they ...
... progress has been more and more rapid , but in early times it was most astonishingly slow . Men allowed some of our most familiar combinations as notes of passage - purely sub- ordinate details - and by their use in that manner they ...
Pagina 96
... progress of these early centuries in detail . It pursued its slow course on the same lines . Composers found out artistic devices which facilitated their labours , and enabled them to approximate to more pleasing and artistic results ...
... progress of these early centuries in detail . It pursued its slow course on the same lines . Composers found out artistic devices which facilitated their labours , and enabled them to approximate to more pleasing and artistic results ...
Pagina 100
... progress of harmon from homogeneity to heterogeneity is distinctly traceable ir this respect . In the first stage there is no variety at all ; all are fifths or fourths consecutively . A slight variety appears when fourths and fifths ...
... progress of harmon from homogeneity to heterogeneity is distinctly traceable ir this respect . In the first stage there is no variety at all ; all are fifths or fourths consecutively . A slight variety appears when fourths and fifths ...
Alte ediții - Afișează-le pe toate
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's bass beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasise expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human idea Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organisation ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
Pasaje populare
Pagina 218 - My idea was that the overture ought to indicate the subject and prepare the spectators for the character of the piece they are about to see; that the instruments ought to be introduced in proportion to the degree of interest and passion in the words...
Pagina i - Heredity." $1.50. 42. ANTS, BEES, AND WASPS. A Record of Observations of the Habits of the Social Hymenoptera. By Sir JOHN LUBBOCK, Bart., FRS, DCL, LL.
Pagina 7 - The rhythmic music is then defined only by the pulses, and has no change of pitch ; while purely melodic music has change of pitch, but no definition or regularity of impulse. The latter is frequently met with among savage races, and even as near the homes of highest art as the outof-the-way corners of the British Isles. Pure, unalloyed rhythmic music is found in most parts of the uncivilised globe; and the degree of excitement to which it can give rise, when the mere beating of a drum or tom-tom...
Pagina 244 - Parisian one into the shade in every respect. The general quality of the musical thoughts is finer, richer, and more interesting; while the purely orchestral effects, especially in the slow movement, are among the most successful things of the kind he ever achieved. And finally the three great symphonies which he wrote in Vienna in 1788 represent the highest level in idea and style and in every distinguished quality of art he ever attained to. They are the crown of his life's work; for in them he...