The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina 13
... played an important part , for by their means the succession of impulses was regulated , Both vocal music and ... play fresh powers of sensibility or thought , and giving the first centres time to recover tone . And as there would ...
... played an important part , for by their means the succession of impulses was regulated , Both vocal music and ... play fresh powers of sensibility or thought , and giving the first centres time to recover tone . And as there would ...
Pagina 18
... plays a vital part in the scheme of artistic design . Our scale has had to be transformed entirely from the ancient modes in order to make the harmonic scheme of musical art possible ; and in this process the attitude of the cultivators ...
... plays a vital part in the scheme of artistic design . Our scale has had to be transformed entirely from the ancient modes in order to make the harmonic scheme of musical art possible ; and in this process the attitude of the cultivators ...
Pagina 20
... playing C , and the A and G below it one after another , and reiterating them in any order he pleases , so long as he makes Ab the last note but one , and G the final . The result is a curious reversal of our theories of musical ...
... playing C , and the A and G below it one after another , and reiterating them in any order he pleases , so long as he makes Ab the last note but one , and G the final . The result is a curious reversal of our theories of musical ...
Pagina 22
... player sounds all the black notes in a couple of bars which are nominally in that key . It undoubtedly made a great difference whether the fifth or fourth was chosen , for it is noticeable that small intervals like semitones are rare in ...
... player sounds all the black notes in a couple of bars which are nominally in that key . It undoubtedly made a great difference whether the fifth or fourth was chosen , for it is noticeable that small intervals like semitones are rare in ...
Pagina 24
... player of the name of Phrynis in 456 B.C. But this note was considered to stand outside the set of tetrachords , and was not used in singing , but only to enable the harp - player to execute certain modulations . The Greek musical ...
... player of the name of Phrynis in 456 B.C. But this note was considered to stand outside the set of tetrachords , and was not used in singing , but only to enable the harp - player to execute certain modulations . The Greek musical ...
Alte ediții - Afișează-le pe toate
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's bass beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasise expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human idea Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organisation ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
Pasaje populare
Pagina 218 - My idea was that the overture ought to indicate the subject and prepare the spectators for the character of the piece they are about to see; that the instruments ought to be introduced in proportion to the degree of interest and passion in the words...
Pagina i - Heredity." $1.50. 42. ANTS, BEES, AND WASPS. A Record of Observations of the Habits of the Social Hymenoptera. By Sir JOHN LUBBOCK, Bart., FRS, DCL, LL.
Pagina 7 - The rhythmic music is then defined only by the pulses, and has no change of pitch ; while purely melodic music has change of pitch, but no definition or regularity of impulse. The latter is frequently met with among savage races, and even as near the homes of highest art as the outof-the-way corners of the British Isles. Pure, unalloyed rhythmic music is found in most parts of the uncivilised globe; and the degree of excitement to which it can give rise, when the mere beating of a drum or tom-tom...
Pagina 244 - Parisian one into the shade in every respect. The general quality of the musical thoughts is finer, richer, and more interesting; while the purely orchestral effects, especially in the slow movement, are among the most successful things of the kind he ever achieved. And finally the three great symphonies which he wrote in Vienna in 1788 represent the highest level in idea and style and in every distinguished quality of art he ever attained to. They are the crown of his life's work; for in them he...