The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina vii
... phrases - Sequences - Tonality- Ornament - Pattern tunes - Universality of certain types of design - Racial characteristics - Expression and design - Highest forms - Decline of genuine folk - music CHAPTER IV INCIPIENT HARMONY Music and ...
... phrases - Sequences - Tonality- Ornament - Pattern tunes - Universality of certain types of design - Racial characteristics - Expression and design - Highest forms - Decline of genuine folk - music CHAPTER IV INCIPIENT HARMONY Music and ...
Pagina 20
... The voice has to rise in singing as well as to fall , and it is conceivable that some races should have thought more of the rise , which comes early in the musical phrase , than of the fall , which naturally comes 20 THE ART OF MUSIC.
... The voice has to rise in singing as well as to fall , and it is conceivable that some races should have thought more of the rise , which comes early in the musical phrase , than of the fall , which naturally comes 20 THE ART OF MUSIC.
Pagina 21
Charles Hubert Hastings Parry. phrase , than of the fall , which naturally comes at the end . One of the most astute and ingenious analysts of musical scales , Mr. Ellis , thought that early experimenters in music . found out the fifth ...
Charles Hubert Hastings Parry. phrase , than of the fall , which naturally comes at the end . One of the most astute and ingenious analysts of musical scales , Mr. Ellis , thought that early experimenters in music . found out the fifth ...
Pagina 47
... phrases are necessarily very short , and the order in which they are given is unsystematic . It would be quite a feat for the aboriginal brain to keep enough factors under control at once to get even two phrases to balance in an orderly ...
... phrases are necessarily very short , and the order in which they are given is unsystematic . It would be quite a feat for the aboriginal brain to keep enough factors under control at once to get even two phrases to balance in an orderly ...
Pagina 50
... phrases get longer and more varied ; and the relation of phrase to phrase becomes more intelligible , and the order in which they occur becomes more symmetrical . The relative lack of mental power shows itself in weakness and ...
... phrases get longer and more varied ; and the relation of phrase to phrase becomes more intelligible , and the order in which they occur becomes more symmetrical . The relative lack of mental power shows itself in weakness and ...
Alte ediții - Afișează-le pe toate
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's bass beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasise expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human idea Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organisation ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
Pasaje populare
Pagina 218 - My idea was that the overture ought to indicate the subject and prepare the spectators for the character of the piece they are about to see; that the instruments ought to be introduced in proportion to the degree of interest and passion in the words...
Pagina i - Heredity." $1.50. 42. ANTS, BEES, AND WASPS. A Record of Observations of the Habits of the Social Hymenoptera. By Sir JOHN LUBBOCK, Bart., FRS, DCL, LL.
Pagina 7 - The rhythmic music is then defined only by the pulses, and has no change of pitch ; while purely melodic music has change of pitch, but no definition or regularity of impulse. The latter is frequently met with among savage races, and even as near the homes of highest art as the outof-the-way corners of the British Isles. Pure, unalloyed rhythmic music is found in most parts of the uncivilised globe; and the degree of excitement to which it can give rise, when the mere beating of a drum or tom-tom...
Pagina 244 - Parisian one into the shade in every respect. The general quality of the musical thoughts is finer, richer, and more interesting; while the purely orchestral effects, especially in the slow movement, are among the most successful things of the kind he ever achieved. And finally the three great symphonies which he wrote in Vienna in 1788 represent the highest level in idea and style and in every distinguished quality of art he ever attained to. They are the crown of his life's work; for in them he...