The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina 32
... passages , and interpolate here and there notes that do not belong to the system , so long as the essential notes of the tune conform to the rule of progression . -Just as in modern harmonic music certain discords must be resolved in a ...
... passages , and interpolate here and there notes that do not belong to the system , so long as the essential notes of the tune conform to the rule of progression . -Just as in modern harmonic music certain discords must be resolved in a ...
Pagina 42
... passage of the last note but one of the principal melody one step downwards to the tonic as the principal feature of the cadence . When they began to accom- pany this passage by harmony , their attention was soon drawn away from this ...
... passage of the last note but one of the principal melody one step downwards to the tonic as the principal feature of the cadence . When they began to accom- pany this passage by harmony , their attention was soon drawn away from this ...
Pagina 48
... passages of rising quarter tones . In all such cases the process must have been a gliding of the voice up or down , without notes that were strictly defined either in relation to one another or to any general principle . This process of ...
... passages of rising quarter tones . In all such cases the process must have been a gliding of the voice up or down , without notes that were strictly defined either in relation to one another or to any general principle . This process of ...
Pagina 52
... passages of song of a characteristic phrase which has taken the fancy and laid hold of the mind seems to belong to the same order of design as the familiar rondo . A remarkably clear example is quoted from the music of the natives of ...
... passages of song of a characteristic phrase which has taken the fancy and laid hold of the mind seems to belong to the same order of design as the familiar rondo . A remarkably clear example is quoted from the music of the natives of ...
Pagina 53
... passage with others which contrast with it . In the Feejee tune there are only two figures which are alternated , As an extraordinarily compact example of reiteration with different phrases alternating with the recurrences of the ...
... passage with others which contrast with it . In the Feejee tune there are only two figures which are alternated , As an extraordinarily compact example of reiteration with different phrases alternating with the recurrences of the ...
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The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's bass beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasise expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human idea Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organisation ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
Pasaje populare
Pagina 218 - My idea was that the overture ought to indicate the subject and prepare the spectators for the character of the piece they are about to see; that the instruments ought to be introduced in proportion to the degree of interest and passion in the words...
Pagina i - Heredity." $1.50. 42. ANTS, BEES, AND WASPS. A Record of Observations of the Habits of the Social Hymenoptera. By Sir JOHN LUBBOCK, Bart., FRS, DCL, LL.
Pagina 7 - The rhythmic music is then defined only by the pulses, and has no change of pitch ; while purely melodic music has change of pitch, but no definition or regularity of impulse. The latter is frequently met with among savage races, and even as near the homes of highest art as the outof-the-way corners of the British Isles. Pure, unalloyed rhythmic music is found in most parts of the uncivilised globe; and the degree of excitement to which it can give rise, when the mere beating of a drum or tom-tom...
Pagina 244 - Parisian one into the shade in every respect. The general quality of the musical thoughts is finer, richer, and more interesting; while the purely orchestral effects, especially in the slow movement, are among the most successful things of the kind he ever achieved. And finally the three great symphonies which he wrote in Vienna in 1788 represent the highest level in idea and style and in every distinguished quality of art he ever attained to. They are the crown of his life's work; for in them he...