The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina 4
... real difference is that the artist formulates impressions received through the eyes , and the musician formulates the direct expression of man's inner- # most feelings and sensibilities . In fact , the arts 4 THE ART OF MUSIC.
... real difference is that the artist formulates impressions received through the eyes , and the musician formulates the direct expression of man's inner- # most feelings and sensibilities . In fact , the arts 4 THE ART OF MUSIC.
Pagina 10
... musicians who have both methods of expression well under command , that music rises to its highest perfection ; as the use of the two principles supplies the basis of the widest contrast of which the art is capable . In this respect the ...
... musicians who have both methods of expression well under command , that music rises to its highest perfection ; as the use of the two principles supplies the basis of the widest contrast of which the art is capable . In this respect the ...
Pagina 15
... approximate , and that only in course of ages did instinctive consensus of opinion , possibly with the help of some primitive instrument , fasten definitely upon a succession of sounds which to modern musicians would be clearly 15.
... approximate , and that only in course of ages did instinctive consensus of opinion , possibly with the help of some primitive instrument , fasten definitely upon a succession of sounds which to modern musicians would be clearly 15.
Pagina 16
Charles Hubert Hastings Parry. succession of sounds which to modern musicians would be clearly recognisable as a fourth or a fifth , or any other acoustically explicable pair of notes . It is advisable to guard at the outset against the ...
Charles Hubert Hastings Parry. succession of sounds which to modern musicians would be clearly recognisable as a fourth or a fifth , or any other acoustically explicable pair of notes . It is advisable to guard at the outset against the ...
Pagina 22
... musicians as a rule are not very intimate with Greek . But certain things may fairly be accepted as trustworthy . Among them is , of course , the enthusiasm with which the Greeks speak of music , and their belief in the marvellous power ...
... musicians as a rule are not very intimate with Greek . But certain things may fairly be accepted as trustworthy . Among them is , of course , the enthusiasm with which the Greeks speak of music , and their belief in the marvellous power ...
Alte ediții - Afișează-le pe toate
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's bass beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasise expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human idea Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organisation ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
Pasaje populare
Pagina 218 - My idea was that the overture ought to indicate the subject and prepare the spectators for the character of the piece they are about to see; that the instruments ought to be introduced in proportion to the degree of interest and passion in the words...
Pagina i - Heredity." $1.50. 42. ANTS, BEES, AND WASPS. A Record of Observations of the Habits of the Social Hymenoptera. By Sir JOHN LUBBOCK, Bart., FRS, DCL, LL.
Pagina 7 - The rhythmic music is then defined only by the pulses, and has no change of pitch ; while purely melodic music has change of pitch, but no definition or regularity of impulse. The latter is frequently met with among savage races, and even as near the homes of highest art as the outof-the-way corners of the British Isles. Pure, unalloyed rhythmic music is found in most parts of the uncivilised globe; and the degree of excitement to which it can give rise, when the mere beating of a drum or tom-tom...
Pagina 244 - Parisian one into the shade in every respect. The general quality of the musical thoughts is finer, richer, and more interesting; while the purely orchestral effects, especially in the slow movement, are among the most successful things of the kind he ever achieved. And finally the three great symphonies which he wrote in Vienna in 1788 represent the highest level in idea and style and in every distinguished quality of art he ever attained to. They are the crown of his life's work; for in them he...