The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina 4
... means , nor what it is intended to express ; and many practical people look upon it as altogether inferior to other arts , because it seems to have no obviously useful application . Painting naturally appears to the average mind to be ...
... means , nor what it is intended to express ; and many practical people look upon it as altogether inferior to other arts , because it seems to have no obviously useful application . Painting naturally appears to the average mind to be ...
Pagina 5
... means of formulating in terms of de- sign utterances and counterparts of utterances which in their raw state are direct expressions of feeling and sensibility . Utterances and actions which illustrate the raw material of music are ...
... means of formulating in terms of de- sign utterances and counterparts of utterances which in their raw state are direct expressions of feeling and sensibility . Utterances and actions which illustrate the raw material of music are ...
Pagina 6
... mean- ing ; so the indefinite cries and shouts which expressed then feelings began to pass into music when a few definite notes were made to take the place of vague , irregular shouting , And as speech grows more copious in resources ...
... mean- ing ; so the indefinite cries and shouts which expressed then feelings began to pass into music when a few definite notes were made to take the place of vague , irregular shouting , And as speech grows more copious in resources ...
Pagina 9
... means the rhythmic and the melodic were combined , and it is no reckless inference that from some such form of combination sprung the original rhythmic organisation of poetry .. But the tendency to revert to primitive conditions is fre ...
... means the rhythmic and the melodic were combined , and it is no reckless inference that from some such form of combination sprung the original rhythmic organisation of poetry .. But the tendency to revert to primitive conditions is fre ...
Pagina 12
... means of managing and dis- tributing such contrasts . In the middle period of musical history , when musical mankind had learnt its lesson , and took a complacent view of its achievement , the method and use of such contrasts became ...
... means of managing and dis- tributing such contrasts . In the middle period of musical history , when musical mankind had learnt its lesson , and took a complacent view of its achievement , the method and use of such contrasts became ...
Alte ediții - Afișează-le pe toate
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's bass beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasise expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human idea Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organisation ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
Pasaje populare
Pagina 218 - My idea was that the overture ought to indicate the subject and prepare the spectators for the character of the piece they are about to see; that the instruments ought to be introduced in proportion to the degree of interest and passion in the words...
Pagina i - Heredity." $1.50. 42. ANTS, BEES, AND WASPS. A Record of Observations of the Habits of the Social Hymenoptera. By Sir JOHN LUBBOCK, Bart., FRS, DCL, LL.
Pagina 7 - The rhythmic music is then defined only by the pulses, and has no change of pitch ; while purely melodic music has change of pitch, but no definition or regularity of impulse. The latter is frequently met with among savage races, and even as near the homes of highest art as the outof-the-way corners of the British Isles. Pure, unalloyed rhythmic music is found in most parts of the uncivilised globe; and the degree of excitement to which it can give rise, when the mere beating of a drum or tom-tom...
Pagina 244 - Parisian one into the shade in every respect. The general quality of the musical thoughts is finer, richer, and more interesting; while the purely orchestral effects, especially in the slow movement, are among the most successful things of the kind he ever achieved. And finally the three great symphonies which he wrote in Vienna in 1788 represent the highest level in idea and style and in every distinguished quality of art he ever attained to. They are the crown of his life's work; for in them he...