The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina 68
... occurs at the end of phrases ; and this not only appears in tunes from various districts of Spain , but has crossed the seas , and continues to appear in 27 . places where the Spaniards were once masters , 68 THE ART OF MUSIC.
... occurs at the end of phrases ; and this not only appears in tunes from various districts of Spain , but has crossed the seas , and continues to appear in 27 . places where the Spaniards were once masters , 68 THE ART OF MUSIC.
Pagina 69
Charles Hubert Hastings Parry. 27 . places where the Spaniards were once masters , as in Sicily and in South America . A very characteristic example of this very feature comes from Vera Cruz in Mexico : - 28 There is very little of close ...
Charles Hubert Hastings Parry. 27 . places where the Spaniards were once masters , as in Sicily and in South America . A very characteristic example of this very feature comes from Vera Cruz in Mexico : - 28 There is very little of close ...
Pagina 112
... masters of the great choral period never arrived at a definite acceptance of the contrast between tonic and domi- nant as a basis of design ; but they understood the principle well enough to use progressions of such chords effectively ...
... masters of the great choral period never arrived at a definite acceptance of the contrast between tonic and domi- nant as a basis of design ; but they understood the principle well enough to use progressions of such chords effectively ...
Pagina 114
... masters of the English school , Byrd , Wilbye , Weelkes Benet , Morley , Gibbons , and others , though they clearly aimed at more definite expression and more close attention to the words than would have been consistent with the ...
... masters of the English school , Byrd , Wilbye , Weelkes Benet , Morley , Gibbons , and others , though they clearly aimed at more definite expression and more close attention to the words than would have been consistent with the ...
Pagina 115
... masters of choral music were in the heyday of their artistic prosperity , the earliest repre- sentatives of the unique and incomparable school of Italian violin - makers were already busy with their inimitable work . In kindred lines of ...
... masters of choral music were in the heyday of their artistic prosperity , the earliest repre- sentatives of the unique and incomparable school of Italian violin - makers were already busy with their inimitable work . In kindred lines of ...
Alte ediții - Afișează-le pe toate
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
Termeni și expresii frecvente
adopted arias arpeggios artistic Bach Bach's bass beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint dance definite devices dramatic early effect emotional emphasise expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human idea Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organisation ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment tunes utterance variety various violin vocal voice whole
Pasaje populare
Pagina 218 - My idea was that the overture ought to indicate the subject and prepare the spectators for the character of the piece they are about to see; that the instruments ought to be introduced in proportion to the degree of interest and passion in the words...
Pagina i - Heredity." $1.50. 42. ANTS, BEES, AND WASPS. A Record of Observations of the Habits of the Social Hymenoptera. By Sir JOHN LUBBOCK, Bart., FRS, DCL, LL.
Pagina 7 - The rhythmic music is then defined only by the pulses, and has no change of pitch ; while purely melodic music has change of pitch, but no definition or regularity of impulse. The latter is frequently met with among savage races, and even as near the homes of highest art as the outof-the-way corners of the British Isles. Pure, unalloyed rhythmic music is found in most parts of the uncivilised globe; and the degree of excitement to which it can give rise, when the mere beating of a drum or tom-tom...
Pagina 244 - Parisian one into the shade in every respect. The general quality of the musical thoughts is finer, richer, and more interesting; while the purely orchestral effects, especially in the slow movement, are among the most successful things of the kind he ever achieved. And finally the three great symphonies which he wrote in Vienna in 1788 represent the highest level in idea and style and in every distinguished quality of art he ever attained to. They are the crown of his life's work; for in them he...