The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina x
... feeling for design - Preponderance of sonatas in his works - His three periods - Richness of sound - The pianoforte -The orchestra - Use of characteristic qualities of tone- Expansion of design - Expression - The scherzo - Close texture ...
... feeling for design - Preponderance of sonatas in his works - His three periods - Richness of sound - The pianoforte -The orchestra - Use of characteristic qualities of tone- Expansion of design - Expression - The scherzo - Close texture ...
Pagina 2
... feels in what is actually seen or present to his imagination that drives him to utterance . The instinct of utterance ... feeling , the greater is the desire to make the form in which it is conveyed un- mistakably clear and intelligible ...
... feels in what is actually seen or present to his imagination that drives him to utterance . The instinct of utterance ... feeling , the greater is the desire to make the form in which it is conveyed un- mistakably clear and intelligible ...
Pagina 5
... feeling and sensibility . Utterances and actions which illustrate the raw material of music are common to all sentient beings , even to those which the complacency of man describes as dumb . A dog reiterating short barks of joy on a ...
... feeling and sensibility . Utterances and actions which illustrate the raw material of music are common to all sentient beings , even to those which the complacency of man describes as dumb . A dog reiterating short barks of joy on a ...
Pagina 6
... feelings began to pass into music when a few definite notes were made to take the place of vague , irregular shouting ... feeling , or else contrive little fragmentary figures of two or three notes which they reiterate incessantly over ...
... feelings began to pass into music when a few definite notes were made to take the place of vague , irregular shouting ... feeling , or else contrive little fragmentary figures of two or three notes which they reiterate incessantly over ...
Pagina 10
... feeling and an appeal to sympa . thetic feeling in others , is considered , it is easy to see that the nature of the human creature makes contrast universally inevitable . Fatigue and lassitude are just as certain to follow from the ...
... feeling and an appeal to sympa . thetic feeling in others , is considered , it is easy to see that the nature of the human creature makes contrast universally inevitable . Fatigue and lassitude are just as certain to follow from the ...
Alte ediții - Afișează-le pe toate
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's bass beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasise expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human idea Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organisation ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
Pasaje populare
Pagina 218 - My idea was that the overture ought to indicate the subject and prepare the spectators for the character of the piece they are about to see; that the instruments ought to be introduced in proportion to the degree of interest and passion in the words...
Pagina i - Heredity." $1.50. 42. ANTS, BEES, AND WASPS. A Record of Observations of the Habits of the Social Hymenoptera. By Sir JOHN LUBBOCK, Bart., FRS, DCL, LL.
Pagina 7 - The rhythmic music is then defined only by the pulses, and has no change of pitch ; while purely melodic music has change of pitch, but no definition or regularity of impulse. The latter is frequently met with among savage races, and even as near the homes of highest art as the outof-the-way corners of the British Isles. Pure, unalloyed rhythmic music is found in most parts of the uncivilised globe; and the degree of excitement to which it can give rise, when the mere beating of a drum or tom-tom...
Pagina 244 - Parisian one into the shade in every respect. The general quality of the musical thoughts is finer, richer, and more interesting; while the purely orchestral effects, especially in the slow movement, are among the most successful things of the kind he ever achieved. And finally the three great symphonies which he wrote in Vienna in 1788 represent the highest level in idea and style and in every distinguished quality of art he ever attained to. They are the crown of his life's work; for in them he...